Generated by All in One SEO v4.9.7.2, this is an llms.txt file, used by LLMs to index the site. # theVERSEverse ## Sitemaps - [XML Sitemap](https://theverseverse.com/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [Post page](https://theverseverse.com/post-page) - [et_pb_section fb_built=”1″ _builder_version=”4.4.3″ da_disable_devices=”off|off|off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.4.3″][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_post_title meta=”off” featured_image=”off” _builder_version=”4.4.3″][/et_pb_post_title][et_pb_de_mach_content _builder_version=”4.4.3″][/et_pb_de_mach_content][/et_pb_column][/et_pb_row][/et_pb_section] - ['In all living things' - An interview with Christian Bök on the release of The Xenotext](https://theverseverse.com/in-all-living-things-an-interview-with-christian-bok-on-the-release-of-the-xenotext) - The following is an interview with Christian Bök who achieved the extraordinary task of implanting a pair of love poems in the genome of a deathless bacterium, Deinococcus radiodurans which glows red upon reading, writing, and replicating the poem in its DNA. After 25 years, Bök has completed The Xenotext, the title of this project - [occlusions to clarity: Victoria Chang touches on the visualizations in "With My Back to the World"](https://theverseverse.com/occlusions-to-clarity-victoria-chang-touches-on-the-visualizations-in-with-my-back-to-the-world) - Victoria Chang probes life, death, and uncertainty in With My Back to the World, a collection of poetry which weaves the work of Agnes Martin and On Kawara with verse and mark-making. Several of the poems in Victoria's latest release are mirrored with an occluded rendering of the work. Elisabeth Sweet asks Victoria a few - [encapsuled: var(semic, INVISIBLE VALENCE)](https://theverseverse.com/encapsuled-varsemic-invisible-valence) - encapsuled: var(semic) consists of a conversation between Michelangelo, the artist known as encapsuled and Elisabeth Sweet grounded in philosophical texts by David Hume & Ludwig Wittgenstein. each movement culminates with a question inviting the algorithm made by encapsuled to give the final word. read INVISIBLE VALENCE, the second movement of encapsuled: var(semic) below. - - - [encapsuled: var(semic, ONLY MIRACULOUS)](https://theverseverse.com/encapsuled-varsemic-only-miraculous) - encapsuled: var(semic) consists of a conversation between Michelangelo, the artist known as encapsuled and Elisabeth Sweet grounded in philosophical texts by David Hume & Ludwig Wittgenstein. each movement culminates with a question inviting the algorithm made by encapsuled to give the final word. read ONLY MIRACULOUS, the second movement of encapsuled: var(semic) below. - - - [encapsuled: var(semic, PARSING PATTERNS)](https://theverseverse.com/encapsuled-varsemic-parsing-patterns) - encapsuled: var(semic) consists of a conversation between Michelangelo, the artist known as encapsuled and Elisabeth Sweet grounded in philosophical texts by David Hume & Ludwig Wittgenstein. each movement culminates with a question inviting the algorithm made by encapsuled to give the final word. read PARSING PATTERNS, the second movement of encapsuled: var(semic) below. - - - [KHD: var(listen, q3)](https://theverseverse.com/khd-varlisten-q3) - //question by Elisabeth Sweet (ES), audiovisualverbal response by Katie Dozier. sound on. ES: It sounds like listening is a whole-body experience for you – your senses lock into the world and unlock a poem. Beyond the primary five (sight, smell, sound, touch, taste), which senses empower you most as a poet? KHD: from - [KHD: var(listen, q2)](https://theverseverse.com/khd-varlisten-q2) - //question by Elisabeth Sweet (ES), audiovisualverbal response by Katie Dozier. sound on. ES: It sounds like listening is a whole-body experience for you – your senses lock into the world and unlock a poem. Beyond the primary five (sight, smell, sound, touch, taste), which senses empower you most as a poet? KHD: from - [KHD: var(listen, q1)](https://theverseverse.com/khd-varlisten-q1) - //question by Elisabeth Sweet (ES), audiovisualverbal response by Katie Dozier. sound on. ES: The ears are always open; we cannot close them. We hear the world around us, but that does not mean we listen. If we hear with our ears, what do we listen with? KHD: from KHD: var(listen). visit the project - [aurèce vettier: var (mount dialogue)](https://theverseverse.com/aurece-vettier-var-mount-dialogue) - for aurèce vettier: var (mount dialogue), Paul Mouginot (PM), founder of aurèce vettier and Elisabeth Sweet (ES) engaged in an experimental conversation which used René Daumal's Mount Analogue as a map. dialogue technique: each line from the poem prompts ES to create a dataset of resonant texts, quotes & questions. PM uses the resonant dataset - [aurèce vettier: var (mount dialogue, line 7)](https://theverseverse.com/aurece-vettier-var-mount-dialogue-line-7) - conVERSEverse { aurèce vettier: var (mount dialogue, line 7); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [aurèce vettier: var (mount dialogue, line 6)](https://theverseverse.com/aurece-vettier-var-mount-dialogue-line-6) - conVERSEverse { aurèce vettier: var (mount dialogue, line 6); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [aurèce vettier: var (mount dialogue, line 5)](https://theverseverse.com/aurece-vettier-var-mount-dialogue-line-5) - conVERSEverse { aurèce vettier: var (mount dialogue, line 5); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [aurèce vettier: var (mount dialogue, line 4)](https://theverseverse.com/aurece-vettier-var-mount-dialogue-line-4) - conVERSEverse { aurèce vettier: var (mount dialogue, line 4); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [aurèce vettier: var(mount dialogue, line 3)](https://theverseverse.com/aurece-vettier-varmount-dialogue-line-3) - conVERSEverse { aurèce vettier: var (mount dialogue, line 3); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [aurèce vettier: var(mount dialogue, line 2)](https://theverseverse.com/aurece-vettier-varmount-dialogue-line-2) - conVERSEverse { aurèce vettier: var (mount dialogue, line 2); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [aurèce vettier: var(mount dialogue, line 1)](https://theverseverse.com/aurece-vettier-varmount-dialogue-line-1) - conVERSEverse { aurèce vettier: var (mount dialogue, line 1); // triangulated dialogue technique: each line from the poem prompts ES (Elisabeth Sweet) to create a dataset of resonant texts, quotes & questions. PM (Paul Mouginot) uses the resonant dataset as input for his dialogue with the poem, making invisible connections within aurèce - [poem = acquired](https://theverseverse.com/poem-acquired) - A museum acquisition of artwork is a BIG deal. In web3, we’ve celebrated moments such as Cozomo de Medici’s donation to the LACMA and the Centre Pompidou’s acquisition of several NFTs. Museum acquisitions are a signal to the wider world that says: “These cultural artifacts matter.” As digital artist Connie Bakshi eloquently put it on - [Laura Kerr: var(--otherworld)](https://theverseverse.com/laura-kerr-var-otherworld) - visual poet: Laura Kerr interviewer: Elisabeth Sweet LK: For (--otherworld), could we show the images without writing questions or answers, letting these three speak for themselves? "Garden View" (2022); "Ocean View" (2022); "Earthly View" (2021); Like most art, they are the question & the answer but not necessarily a specific question & - [Laura Kerr: var(--local)](https://theverseverse.com/laura-kerr-var-local) - visual poet: Laura Kerr interviewer: Elisabeth Sweet //chat process for (--local): Laura Kerr sends past artwork to Elisabeth Sweet; work prompts question from ES; LK answers with artwork description; LK: The Seine River (2022) Levels, Lines and Flows ES: Rivers witness the rise, fall, and transformation of civilizations – of people – - [Laura Kerr: var(--global)](https://theverseverse.com/laura-kerr-var-global) - visual poet: Laura Kerr interviewer: Elisabeth Sweet //chat process for (--global): ES asks LK a variety of questions about nature + technology + place. //to explore 'global environments', LK uses artwork she made in the past and describes them in the present. ES: Are humans the mid-point between nature and technology? LK: “In - [conVERSEverse { Laura Kerr: var(verse) }](https://theverseverse.com/converseverse-laura-kerr-varverse) - introducing { Laura Kerr: var(verse); exploring nature + technology + place in 3 environments: --global; --local; --otherworld; //playing with themes of rereading + dialogue over time Laura & Elisabeth Sweet surveyed regions of Laura’s work relating to these themes. the pair engaged Laura’s past work in the conversation, the artwork into the challenging the - [whose paths do you trace?](https://theverseverse.com/whose-paths-do-you-trace) - “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different than that from which it is torn.” -- T. S. Eliot You may - [on the value of rereading books](https://theverseverse.com/on-the-value-of-rereading-books) - Books have been my constant companions from as far back as I can remember. I am an only child, and I lived six hours away from the rest of my extended family growing up. I spent a lot of time entertaining myself as a child by reading, and I developed close bonds with my books. - [a glimpse of "le travail des rêves" by aurèce vettier](https://theverseverse.com/a-glimpse-of-le-travail-des-reves-by-aurece-vettier) - “At night, I do the dream work. And then I try to reconstruct fragments of them using an artificial intelligence model trained on my photos and obsessions, spanning my childhood right up to the present day” – aurèce vettier describes le travail des rêves, a collection curated by Bright Moments Paris. I had the great - [poetry = public work of art](https://theverseverse.com/poetry-public-work-of-art) - “Poetry stops us and gives us something in common. I still believe that we could get poetry more into the public world.” -- Marie Howe, American poet and NY State Poet Laureate (2012-2014) The question of whether art should be a public good is debated, with the resistance citing economic reasons. Opponents argue that - [conVERSEverse with Nathaniel Stern](https://theverseverse.com/converseverse-with-nathaniel-stern) - Nathaniel Stern is an awkward artist, writer, and teacher who likes awkward art, writing, and students. He is a Fulbright, NSF, and NEA grant recipient, a Professor of Art, Engineering, and Entrepreneurship at the University of Wisconsin-Milwaukee, and an Associate Researcher at the University of Johannesburg. His art ranges from ecological, participatory, and online interventions, - [conVERSEverse with Nicole Tallman](https://theverseverse.com/converseverse-with-nicole-tallman) - Nicole Tallman is a poet, ghostwriter, and editor. Born and raised in Michigan, she lives in Miami, serves as the Poetry Ambassador for Miami-Dade County, Poetry and Interviews Editor for The Blue Mountain Review and an Associate Editor for South Florida Poetry Journal. She is the author of Something Kindred (The Southern Collective Experience Press), - [conVERSEverse with Christian Bök](https://theverseverse.com/converseverse-with-christian-bok) - Christian Bök is the author of Eunoia (2001), a bestselling work of experimental literature, which has gone on to win the Griffin Prize for Poetic Excellence. Bök is currently working on The Xenotext — a project that requires him to encipher a poem into the genome of a bacterium capable of surviving in any inhospitable - [conVERSEverse with Johnny Dean Mann](https://theverseverse.com/converseverse-with-johnny-dean-mann) - Johnny Dean Mann is a writer, poet, and visual artist. Based in the UK, Johnny collaborates with humans and machines worldwide to make web3 more accessible to creatives and the public. He co-founded The Tickle magazine in 2021 and publishes his own NFTs under the name WilyGuys. In this conVERSEverse with Johnny, learn what motivates - [conVERSEverse with Denise Duhamel](https://theverseverse.com/converseverse-with-denise-duhamel) - Denise Duhamel is an inaugural theVERSEverse poet with an esteemed background in the traditional poetry world. Her poetic collection for the gallery explores the recent death of her mother, the commodification of feminism and the female form, and the social expectations surrounding different genders. In this feature of conVERSEverse, Denise talks about the joy of ## Pages - [theVERSEverse is a literary gallery where poems are works of art.](https://theverseverse.com/) - [et_pb_section fb_built="1" fullwidth="on" _builder_version="4.4.3" da_disable_devices="off|off|off" da_is_popup="off" da_exit_intent="off" da_has_close="on" da_alt_close="off" da_dark_close="off" da_not_modal="on" da_is_singular="off" da_with_loader="off" da_has_shadow="on"][et_pb_fullwidth_slider arrows_custom_color="#b3b3b3" dot_nav_custom_color="#000000" _builder_version="4.4.3" header_text_color="#000000" body_text_align="left" body_text_color="#666666" body_font_size="15px" max_width="1600px" module_alignment="center" content_width="100%" content_width_tablet="" content_width_phone="90%" content_width_last_edited="on|phone" content_max_width="1800px" custom_padding="133px||153px||false|false" custom_padding_tablet="30px|0px|40px|0px|false|true" custom_padding_phone="65px|25px|40px|25px|false|true" custom_padding_last_edited="on|desktop" animation_style="slide" auto="on" auto_speed="3500" auto_ignore_hover="on" body_text_shadow_style="preset1" body_text_shadow_color="#ffffff"][et_pb_slide use_bg_overlay="off" video_url_last_edited="off|desktop" _builder_version="4.4.3" background_color="rgba(0,0,0,0)" background_enable_color="on" video_url__hover_enabled="off|desktop"][/et_pb_slide][/et_pb_fullwidth_slider][et_pb_fullwidth_slider arrows_custom_color="#b3b3b3" dot_nav_custom_color="#000000" disabled_on="on|on|on" _builder_version="4.4.3" header_text_color="#000000" body_text_align="left" body_text_color="#666666" body_font_size="15px" max_width="1600px" module_alignment="center" content_width="100%" - [GenText](https://theverseverse.com/gentext) - [et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”Intro” _builder_version=”4.4.3″ background_color=”rgba(0,0,0,0)” custom_margin_tablet=”||||false|false” custom_margin_last_edited=”off|desktop” custom_padding=”80px||0px||false|false” custom_padding_tablet=”40px||||false|false” custom_padding_phone=”0px||||false|false” da_disable_devices=”off|off|off” locked=”off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.4.3″ positioning=”none” max_width=”860px” custom_margin=”80px||||false|false” custom_margin_tablet=”” custom_margin_phone=”20px||||false|false” custom_margin_last_edited=”on|phone”][et_pb_column type=”1_3″ module_class=”gen-text-col-01″ _builder_version=”4.4.3″ custom_padding=”||80px||false|false” custom_padding_tablet=”||0px||false|false” custom_padding_phone=”” custom_padding_last_edited=”on|desktop”][et_pb_image src=”https://theverseverse.com/wp-content/uploads/2021/11/GenTetxt-icon-1.png” show_bottom_space=”off” align_tablet=”left” align_phone=”” align_last_edited=”on|phone” disabled_on=”on|on|off” _builder_version=”4.4.3″ positioning=”absolute” position_origin_a=”bottom_right” vertical_offset=”1px” horizontal_offset=”1px” position_origin_a_tablet=”” position_origin_a_phone=”” position_origin_a_last_edited=”on|tablet” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|tablet” position_origin_r_tablet=”” - [inDialogue](https://theverseverse.com/indialogue) - [et_pb_section fb_built=”1″ _builder_version=”4.4.3″ da_disable_devices=”off|off|off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.4.3″][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_text _builder_version=”4.4.3″ header_font_size=”40px” custom_margin=”||10px||false|false” custom_margin_tablet=”” custom_margin_phone=”40px||0px||false|false” custom_margin_last_edited=”on|phone” header_font_size_tablet=”” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone”]inDialogue[/et_pb_text][et_pb_de_mach_archive_loop post_type_choose=”off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|off|on” loop_layout=”6873″ enable_loadmore=”on” equal_height=”on” columns=”2″ custom_gutter_width=”on” gutter_row_gap=”40px” gutter_row_column=”40px” _builder_version=”4.4.3″][/et_pb_de_mach_archive_loop][/et_pb_column][/et_pb_row][/et_pb_section] - [var(verse)](https://theverseverse.com/varverse) - [et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” admin_label=”title section” _builder_version=”4.4.3″ min_height=”191.4px” custom_margin=”||-54px|||” custom_margin_tablet=”” custom_margin_phone=”||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||37px|||” custom_padding_tablet=”” custom_padding_phone=”130px||37px||false|false” da_disable_devices=”off|off|off” global_module=”7066″ saved_tabs=”all” locked=”off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.4.3″ custom_padding=”0px||0px|||”][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_text _builder_version=”4.4.3″ custom_margin=”||5px||false|false”]var(verse)[/et_pb_text][et_pb_divider color=”#000000″ divider_style=”dashed” divider_weight=”1px” _builder_version=”4.4.3″ width=”110px” module_alignment=”center” height=”0px” custom_margin=”-3px||5px||false|false”][/et_pb_divider][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.4.3″][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_text _builder_version=”4.4.3″]an evolving collection of curated poetry by made poets writing & - [Significant Acquisition of Digital Poetry by Mad Arts](https://theverseverse.com/significant-acquisition-of-digital-poetry-by-mad-arts) - In a historic moment for digital poetry, Mad Arts acquires a significant collection of works from theVERSEverse, representing a critically acclaimed and diverse group of poets and artists (Dania Beach, Florida, April 10, 2024) In the midst of National Poetry Month, Mad Arts, the first art and technology museum started by a creative agency, is - [Blog](https://theverseverse.com/converseverse) - [et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” admin_label=”title section” _builder_version=”4.4.3″ min_height=”191.4px” custom_margin=”||-54px|||” custom_margin_tablet=”” custom_margin_phone=”||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||37px|||” custom_padding_tablet=”” custom_padding_phone=”130px||37px||false|false” da_disable_devices=”off|off|off” global_module=”4731″ saved_tabs=”all” locked=”off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.4.3″ custom_padding=”0px||0px|||”][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_text _builder_version=”4.4.3″ custom_margin=”||5px||false|false”]conVERSEverse [/et_pb_text][et_pb_divider color=”#000000″ divider_style=”dashed” divider_weight=”1px” _builder_version=”4.4.3″ width=”110px” module_alignment=”center” height=”0px” custom_margin=”-3px||5px||false|false”][/et_pb_divider][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.4.3″][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_text _builder_version=”4.4.3″]with bite-sized prose, conVERSEverse seeds moments to read about what - 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[Privacy Policy](https://theverseverse.com/privacy-policy) - [et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ da_disable_devices=”off|off|off” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.4.3″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″]Privacy Policy Your privacy is important to us. Unless you tell us that we can disclose it or unless the law requires or permits us to disclose - [current](https://theverseverse.com/poems) - [et_pb_section fb_built=”1″ admin_label=”Sections” _builder_version=”4.4.3″ custom_margin=”||-18px|||” custom_padding=”0px|||||”][et_pb_row _builder_version=”4.4.3″][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_divider show_divider=”off” _builder_version=”4.4.3″ height=”50px” global_module=”122″ saved_tabs=”all”][/et_pb_divider][et_pb_text _builder_version=”4.4.3″ header_2_text_align=”center” hover_enabled=”0″] poems [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.4.3″ width=”90%” width_tablet=”” width_phone=”80%” width_last_edited=”on|phone” max_width=”1400px”][et_pb_column type=”1_4″ _builder_version=”4.4.3″ border_radii=”on|10px|10px|10px|10px” border_width_all=”1px” border_color_all=”#e0e0e0″][et_pb_image src=”https://theverseverse.com/wp-content/uploads/2021/09/ETH-Mothers-1.png” _builder_version=”4.4.3″ custom_margin=”||0px||false|false”][/et_pb_image][et_pb_text _builder_version=”4.4.3″ text_font=”|700|||||||” text_text_color=”#000000″ text_font_size=”13px” text_line_height=”1.2em” min_height=”60px” custom_padding=”30px|30px||30px|false|true”]ETH Mothers[/et_pb_text][et_pb_image src=”https://theverseverse.com/wp-content/uploads/2021/09/Kalen-Iwamoto.png” module_class=”card-author-pic” _builder_version=”4.4.3″][/et_pb_image][et_pb_text module_class=”card-author-nickname” _builder_version=”4.4.3″ text_font_size=”13px”]Kalen Iwamoto[/et_pb_text][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.4.3″ border_radii=”on|10px|10px|10px|10px” border_width_all=”1px” - [poets](https://theverseverse.com/poets) - [et_pb_section fb_built=”1″ _builder_version=”4.4.3″ custom_padding_last_edited=”on|phone” custom_padding_phone=”70px||||false|false” hover_enabled=”0″][et_pb_row _builder_version=”4.4.3″ custom_padding=”0px|||||”][et_pb_column type=”4_4″ _builder_version=”4.4.3″][et_pb_text _builder_version=”4.4.3″ header_2_text_align=”center”] poets [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.4.3″ custom_padding=”||40px|||”][et_pb_column type=”1_2″ _builder_version=”4.4.3″][et_pb_image src=”https://theverseverse.com/wp-content/uploads/2021/09/ana-maria-caballero.jpg” _builder_version=”4.4.3″][/et_pb_image][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.4.3″ custom_padding=”|10%|||false|false” custom_padding_tablet=”” custom_padding_phone=”|0%|||false|false” custom_padding_last_edited=”on|desktop”][et_pb_text _builder_version=”4.4.3″ text_line_height=”1.8em” custom_margin=”33px||-1px|||”] Ana Maria Caballero Ana Maria Caballero is a first-generation Colombian-American poet and writer. Her work has won multiple awards, including the Beverly International Prize for ## Post Types - [Poems](https://theverseverse.com/poems) - [Poets](https://theverseverse.com/poets) ## Reading Room - [The History of the Typewriter Recited by Michael Winslow](https://theverseverse.com/reading_room/the-history-of-the-typewriter-recited-by-michael-winslow) - [London](https://theverseverse.com/reading_room/london) - [Ursonate](https://theverseverse.com/reading_room/ursonate) - [New Worlds in Old Stones](https://theverseverse.com/reading_room/new-worlds-in-old-stones) - [Robinson Crusoe](https://theverseverse.com/reading_room/robinson-crusoe) - [The Ecstasy of Influence](https://theverseverse.com/reading_room/the-ecstasy-of-influence) - [Home is Where the Haunt Is—The Shining’s Hauntology](https://theverseverse.com/reading_room/home-is-where-the-haunt-is-the-shinings-hauntology) - [Tamburitza Lingua](https://theverseverse.com/reading_room/tamburitza-lingua) - [Said the Shotgun to the Head](https://theverseverse.com/reading_room/said-the-shotgun-to-the-head) - [SWOON](https://theverseverse.com/reading_room/swoon) - [The Glass Essay](https://theverseverse.com/reading_room/the-glass-essay) - [Edgar Heap of Birds](https://theverseverse.com/reading_room/edgar-heap-of-birds) - [Xu Bing](https://theverseverse.com/reading_room/xu-bing) - [Chemins Cherches, chemins perdus, transgressions](https://theverseverse.com/reading_room/chemins-cherches-chemins-perdus-transgressions) - [Ben Vautier](https://theverseverse.com/reading_room/ben-vautier) - [Untitled](https://theverseverse.com/reading_room/untitled) - [Language and symbolic power](https://theverseverse.com/reading_room/language-and-symbolic-power) - [Marina Abramovic’s Gaze](https://theverseverse.com/reading_room/marina-abramovics-gaze) - [Show of Hands: Moholy-Nagy Lights the Way](https://theverseverse.com/reading_room/show-of-hands-moholy-nagy-lights-the-way) - [The Tyger](https://theverseverse.com/reading_room/the-tyger) - [Pendulum Music](https://theverseverse.com/reading_room/pendulum-music) - [Walking & Falling](https://theverseverse.com/reading_room/walking-falling) - [Bjork’s Homogenic & videos](https://theverseverse.com/reading_room/bjorks-homogenic-videos) - [Just Kids & all her music](https://theverseverse.com/reading_room/just-kids-all-her-music) - [Santa Claus IX](https://theverseverse.com/reading_room/santa-claus-ix) - [Paysage de montagne](https://theverseverse.com/reading_room/paysage-de-montagne) - [Livre d'heures d’Isabelle Stuart](https://theverseverse.com/reading_room/livre-dheures-disabelle-stuart) - [Elegia Machina](https://theverseverse.com/reading_room/elegia-machina) - [Twin Towers](https://theverseverse.com/reading_room/twin-towers) - [Midi La Lune](https://theverseverse.com/reading_room/midi-la-lune) - [Infinite Skulls #05 DUO 2019](https://theverseverse.com/reading_room/infinite-skulls-05-duo-2019) - [Sainte Victoire aux traits épais](https://theverseverse.com/reading_room/sainte-victoire-aux-traits-epais) - [Porsche 911 type 993 air cooled engine repair manual](https://theverseverse.com/reading_room/porsche-911-type-993-air-cooled-engine-repair-manual) - [Le Mont Analogue](https://theverseverse.com/reading_room/1-le-mont-analogue) - [The Love Song of J. Alfred Prufrock](https://theverseverse.com/reading_room/the-love-song-of-j-alfred-prufrock) - [The House of Dust](https://theverseverse.com/reading_room/the-house-of-dust) - [The Wild Iris](https://theverseverse.com/reading_room/the-wild-iris) - [Beloved](https://theverseverse.com/reading_room/beloved) - [Horses](https://theverseverse.com/reading_room/horses-franz-marc) - [Threshold](https://theverseverse.com/reading_room/threshold) - [Demeter to Persephone](https://theverseverse.com/reading_room/demeter-to-persephone) - [Why I Want to be a Posthuman When I Grow Up](https://theverseverse.com/reading_room/why-i-want-to-be-a-posthuman-when-i-grow-up) - [Disgrace](https://theverseverse.com/reading_room/disgrace) - [On #GLITCHFEMINISM and The Glitch Feminism Manifesto](https://theverseverse.com/reading_room/on-glitchfeminism-and-the-glitch-feminism-manifesto) - [The Machine of Poetry](https://theverseverse.com/reading_room/the-machine-of-poetry) - [Citizen](https://theverseverse.com/reading_room/citizen) - [An Interview with Franny Choi](https://theverseverse.com/reading_room/an-interview-with-franny-choi) - [The Waste Land](https://theverseverse.com/reading_room/the-waste-land) - [The Piecemeal Bard Is Deconst ructed: Notes Toward a Potential Robopoetics](https://theverseverse.com/reading_room/the-piecemeal-bard-is-deconst-ructed-notes-toward-a-potential-robopoetics) - [Love](https://theverseverse.com/reading_room/love) - [The Policeman’s Beard is Half Constructed](https://theverseverse.com/reading_room/the-policemans-beard-is-half-constructed) - [Can’t and Won’t](https://theverseverse.com/reading_room/cant-and-wont) - [A Sport and a Pastime](https://theverseverse.com/reading_room/a-sport-and-a-pastime) - [Krik? Krak!](https://theverseverse.com/reading_room/krik-krak) - [Cent mille milliards de poèmes (One hundred million million poems)](https://theverseverse.com/reading_room/cent-mille-milliards-de-poemes-one-hundred-million-million-poems) - [Calligrammes : Poèmes de la paix et de la guerre](https://theverseverse.com/reading_room/calligrammes-poemes-de-la-paix-et-de-la-guerre) - [Date Paintings](https://theverseverse.com/reading_room/date-paintings) - [(everything, but most notably: Double Jeux, Vraies Histoires, Prenez soin de vous)](https://theverseverse.com/reading_room/everything-but-most-notably-double-jeux-vraies-histoires-prenez-soin-de-vous) - [Declaration of Intent](https://theverseverse.com/reading_room/declaration-of-intent) - [One and Three Chairs](https://theverseverse.com/reading_room/one-and-three-chairs) - [Certificate of Inauthenticity](https://theverseverse.com/reading_room/certificate-of-inauthenticity) - [My God, It's Full of Stars](https://theverseverse.com/reading_room/my-god-its-full-of-stars) ## collections - [Hashtagraphy](https://theverseverse.com/collections/hashtagraphy) - Hashtagraphy is a diptych of patchwork poems culled from Twitter using the ETH and XTZ hashtags, and minted on their respective blockchains. Text by Kalen Iwamoto. Visuals and music by Julien Silvano. - [blank](https://theverseverse.com/collections/blank) - “wovon man nicht sprechen kann, darüber muss man schweigen” “whereof one cannot speak, therof one must be silent” -Ludwig Wittgenstein - [we are the trees](https://theverseverse.com/collections/we-are-the-trees) - This series of 5 poems always begins with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the poems seem to reference each other, there is no beginning - [Income](https://theverseverse.com/collections/income) - A text-based exploration of anxieties surrounding social status. "I have always been uncomfortable around other people. To alleviate my social anxieties, I constantly discreetly look for clues on my interlocutors' social status: How much can they make, how prestigious is their job, how do they dress or what type of watch they wear, in order - [Technelegy](https://theverseverse.com/collections/technelegy) - Poems by Sasha Stiles and her AI alter ego from their new book, Technelegy -- recommended by Ray Kurzweil and Jenny Xie. ## books - [Pierre Gervois](https://theverseverse.com/book/pierre-gervois) - Text-based explorations of anxieties surrounding social status. "I have always been uncomfortable around other people. To alleviate my social anxieties, I constantly discreetly look for clues on my interlocutors' social status: How much can they make, how prestigious is their job, how do they dress or what type of watch they wear, in order to - [Ana Maria Caballero](https://theverseverse.com/book/ana-maria-caballero-3) - MAMMAL MAMMAL, Caballero’s latest manuscript, explores how biology delimits cultural rites. It was designated as a Manuscript of Exceptional Merit by Tupelo Press. Caballero’s award-winning work rips the veil off of romanticized motherhood and challenges the notion that female sacrifice is somehow a virtue. In her signature, straightforward verse, she gives voice to what's left - [Kalen Iwamoto](https://theverseverse.com/book/kalen-iwamoto-4) - HASHTAGRAPHY Hashtagraphy is a diptych of patchwork poems culled from Twitter using the ETH and XTZ hashtags, and minted on their respective blockchains. Text by Kalen Iwamoto. Visuals and music by Julien Silvano. - [Kevin Abosch](https://theverseverse.com/book/kevin-abosch) - [David Hernandez](https://theverseverse.com/book/david-hernandez) - [Nicole Tallman](https://theverseverse.com/book/nicole-tallman) - [Nathaniel Stern](https://theverseverse.com/book/nathaniel-stern) - [Denise Duhamel](https://theverseverse.com/book/denise-duhamel) - [Johnny Dean Mann](https://theverseverse.com/book/jonathan-mann) - Canoeing Time, 1992 - an illustrated poem (Edition of 1, 2021) A half-remembered, half-invented childhood. This illustrated poem is a dream fable from real events, part unreliably remembered childhood and part trauma, overly remembered. The writer and artist combine to weave a new world from fragments of the past. Written by Jonathan Mann and illustrated - [Sarah Ridgley](https://theverseverse.com/book/sarah-ridgley) - The Lover’s Case This series of four poems explores symbology in dialogue with the meaningless. The rose has a long history of symbolic meaning that changes based on the context where it appears. In the absence of any semantic communication, what interpretations can be given? Each poem is created using a generative writing program coded - [Vanessa Coleman](https://theverseverse.com/book/vanessa-coleman) - [Christian Bök](https://theverseverse.com/book/christian-bok) - [Sasha Stiles](https://theverseverse.com/book/sasha-stiles-3) - Technelegy Poems by Sasha Stiles and her AI alter ego from their new book, Technelegy — recommended by Ray Kurzweil and Jenny Xie. - [Merchant Coppola](https://theverseverse.com/book/merchant-coppola) - blank_ "wovon man nicht sprechen kann, darüber muss man schweigen" "whereof one cannot speak, therof one must be silent” -Ludwig Wittgenstein - [aurèce vettier](https://theverseverse.com/book/aurece-vettier) - we are the trees This series of 5 poems always begins with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the poems seem to reference each other, - [Julie Marie Wade](https://theverseverse.com/book/julie-marie-wade) ## gen-texts - [Flower-Colored Light](https://theverseverse.com/gen-text/gentext-1-square) ## issues - [Future Mythologies](https://theverseverse.com/issue/future-mythologies) - Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. This series is written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi twist. Written and performed by Stern, sound and images by Spalter. - [Fifty Days At Iliam](https://theverseverse.com/issue/fifty-days-at-iliam) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. Available to collect on OBJKT. - [Seeds and Ashes](https://theverseverse.com/issue/seeds-and-ashes) - Images by Rose Jackson; Poems by Sudowrite; Concept by Kalen Iwamoto Title prompt: Ashes (inspired by Rose Jackson’s images) Seed line: Selected from a list of BIP39 seed recovery phrase words, using the following rule: each seed word must contain, in consecutive order, one letter from among the 12 letters in each artists’ names: “Kalen - [City Life](https://theverseverse.com/issue/city-life) - Ana Maria Caballero sketched a rough draft of CITY LIFE during the funeral of a close friend's father. Ivona Tau took these notes as inspiration to create the poignant, urban visuals for the piece. Using AI as poetic conspirator, Caballero crafted the final version of the poem. Available to collect with Tezos on Versum - [Flower-Colored Light](https://theverseverse.com/issue/flower-colored-light) - A collaboration between transhuman poet Sasha Stiles and artist in light Gisel Florez that uses the concept of prismatic light to author a visual, literary, ai-powered poem. ## verses - [Seeds and Ashes 11](https://theverseverse.com/verse/seeds-and-ashes-11) - [Seeds and Ashes 12](https://theverseverse.com/verse/seeds-and-ashes-12) - [Flower-Colored Light 4](https://theverseverse.com/verse/flower-colored-light-4) - [Flower-Colored Light 1](https://theverseverse.com/verse/flower-colored-light-1) - [Flower-Colored Light 2](https://theverseverse.com/verse/flower-colored-light-2) - [Flower-Colored Light 3](https://theverseverse.com/verse/flower-colored-light-3) - [Flower-Colored Light 5](https://theverseverse.com/verse/flower-colored-light-5) - [Flower-Colored Light 6](https://theverseverse.com/verse/flower-colored-light-6) - [Flower-Colored Light 7](https://theverseverse.com/verse/flower-colored-light-7) - [Flower-Colored Light 8](https://theverseverse.com/verse/flower-colored-light-8) - [Flower-Colored Light 9](https://theverseverse.com/verse/flower-colored-light-9) - [Flower-Colored Light 10](https://theverseverse.com/verse/flower-colored-light-10) - [Flower-Colored Light 11](https://theverseverse.com/verse/flower-colored-light-11) - [City Life 1](https://theverseverse.com/verse/city-life-1) - [City Life 2](https://theverseverse.com/verse/city-life-2) - [City Life 3](https://theverseverse.com/verse/city-life-3) - [City Life 4](https://theverseverse.com/verse/city-life-4) - [Seeds and Ashes 1](https://theverseverse.com/verse/seeds-and-ashes-1) - [Seeds and Ashes 2](https://theverseverse.com/verse/seeds-and-ashes-2) - [Seeds and Ashes 3](https://theverseverse.com/verse/seeds-and-ashes-3) - [Seeds and Ashes 4](https://theverseverse.com/verse/seeds-and-ashes-4) - [Seeds and Ashes 5](https://theverseverse.com/verse/seeds-and-ashes-5) - [Seeds and Ashes 6](https://theverseverse.com/verse/seeds-and-ashes-6) - [Seeds and Ashes 7](https://theverseverse.com/verse/seeds-and-ashes-7) - [Seeds and Ashes 8](https://theverseverse.com/verse/seeds-and-ashes-8) - [Seeds and Ashes 9](https://theverseverse.com/verse/seeds-and-ashes-9) - [Seeds and Ashes 10](https://theverseverse.com/verse/seeds-and-ashes-10) - [City Life 5](https://theverseverse.com/verse/city-life-5) - [City Life 6](https://theverseverse.com/verse/city-life-6) - [City Life 7](https://theverseverse.com/verse/city-life-7) - [City Life 8](https://theverseverse.com/verse/city-life-8) - [City Life 9](https://theverseverse.com/verse/city-life-9) - [City Life 10](https://theverseverse.com/verse/city-life-10) - [City Life 11](https://theverseverse.com/verse/city-life-11) ## events - [Proof of People NYC](https://theverseverse.com/event/proof-of-people-nyc) - Proof of People NYC by Vertical Crypto Art x Refraction DAO April 12-13 | ZeroSpace | Brooklyn, NY featuring POESÍA DE PROTESTA II Alexandra Lytton Regalado x Gab Floramica Amalia Moreno x Genki Nishida Andrea Halaby x ARTJEDI1 Caridad Moro-Gronlier x Ellie Pritts Fermina Ponce x Anya Asano Legna Rodríguez Iglesias x Tabitha Swanson Martica - [TALK: POETRY & BLOCKCHAIN](https://theverseverse.com/event/talk-poetry-blockchain) - TALK: POETRY & BLOCKCHAIN featuring Ana María Caballero, Gisel Florez, Ross Goodwin, Judy Mam, and Matt Medved moderated by Elisabeth SWeet at Proof of People NYC hosted by Vertical Crypto Art and Refraction DAO April 13 | 3:20PM - [EROTIKA II Pride Festival by ClitSplash](https://theverseverse.com/event/erotika-ii-pride-festival-by-clitsplash) - EROTIKA II Pride Festival by ClitSplash (21+) "A festival of non-mainstream erotic art created by leading feminist and LGBTQIA+ artists. Through digital art and the metaverse, the exhibition reclaims new and fresh perspectives on sexual freedom and invites audiences to challenge the dominant normative viewpoint, promoting the diversity of expressions and identities." featuring works from theVERSEverse - [AWP 2023](https://theverseverse.com/event/awp-2023) - The First Crypto Poets: What We Learned from NFTs and Where We’re Going Featuring Ana María Caballero, Nicole Tallman, and Sasha Stiles Room 331, Summit Building, Seattle Convention Center, Level 3 Thursday, March 9, 2023 1:45 pm to 3:00 pm event details - [POETRY READING at STUDIO 368](https://theverseverse.com/event/poetry-reading-at-studio-368) - Join us for a poetry reading during NFT NYC week at Studio 368. With readings by Marcos de la Fuente, Pierre Gervois, Nathanial Stern, Katie Dozier, Timothy Green, and Elisabeth Sweet. April 14 | Studio 368 | 370 Broadway, New York NY, 10013 We're grateful to Foodmasku for the invitation to read verse. - [POÈME SBJKT VERNISSAGE](https://theverseverse.com/event/poeme-sbjkt-vernissage) - POÈME SBJKT Vernissage May 25 | 6pm CET | Librairie Métamorphoses | 17 Rue Jacob, 75006, Paris an exhibition of works of literature both on and off the blockchain that enhance, reinvent and reimagine the relationship between text & image, analog & digital, blurring + challenging the lines that seek to divide. exhibiting May 25 - [EVENT RECORDING - re:VERSE](https://theverseverse.com/event/event-recording-reverse) - This is the complete audio recording of re:VERSE, the poetry symposium on April 23, 2025 at Ladbroke Hall, London. The esteemed panel and guests convened to explore the intersections of poetry, art and technology, in an evening co-presented by theVERSEverse and The Tezos Foundation in partnership with The Collectors Club, Muse Frame, Digital Art Week, - [re:VERSE, a poetry symposium with theVERSEverse in London](https://theverseverse.com/event/reverse-a-poetry-symposium-with-theverseverse-in-london) - April 23 / 6-9pm / Ladbroke Hall / 79 Barlby Rd, London theVERSEverse hosts our first-ever symposium: an evening program celebrating the evolving landscape of poetry in the digital age. through curated panels, performances, and artwork displays, re:VERSE explores poetry’s power as a multifaceted, transdisciplinary art form; illuminates key areas of poetic innovation; and inspires - [Significant Acquisition of Digital Poetry by Mad Arts](https://theverseverse.com/event/significant-acquisition-of-digital-poetry-by-mad-arts) - In a historic moment for digital poetry, Mad Arts acquires a significant collection of works from theVERSEverse, representing a critically acclaimed and diverse group of poets and artists (Dania Beach, Florida, April 10, 2024) In the midst of National Poetry Month, Mad Arts, the first art and technology museum started by a creative agency, is - [After Ginsberg Vernissage Conversation with Unit London](https://theverseverse.com/event/after-ginsberg-vernissage-conversation-with-unit-london) - Join us on November 15 at 11am EDT for a conversation with Unit London about After Ginsberg: "A Picture of My Mind" Hosted on Twitter Spaces. RSVP and tune in here. - [An Evening with theVERSEverse & Allen Ginsberg @ LUME Studios](https://theverseverse.com/event/an-evening-with-theverseverse-allen-ginsberg-lume-studios) - Join us to celebrate theVERSEverse's newest member, Beat poet and cultural icon ALLEN GINSBERG, and the launch of an exciting poetry experiment fusing words and image, text and technology. September 9 / 7pm EDT / 393 Broadway, NYC “A Picture of My Mind” NYC Launch Poetry Party hosted by Subjective.art Timeline for the evening: 7pm: - [IGNITE Broward](https://theverseverse.com/event/ignite-broward) - January 25 - January 29 Presenting POESÍA DE PROTESTA, works from our SuperRare Genesis Collection, and the debut of new works by Pierre Gervois and Christian Bök POESÍA DE PROTESTA features Katherine Bisquet x @cymoonv Ana Maria Caballero x @k_o_f_e_ Andrea Halaby x Ivan Casis Yolanda Segura x Bird of Omen Collective Martica Minipunto x - [Artist Talk @ Unit London with Alex Estorick](https://theverseverse.com/event/artist-talk-unit-london-with-alex-estorick) - Our co-founders Ana Maria Caballero, Kalen Iwamoto, and Sasha Stiles sit down with Editor in Chief at Right Click Save, Alex Estorick for a discussion about poetry in web3. This is part of the celebration of the finissage of IN OUR CODE's exhibition at Unit London, as part of Frieze London. Saturday October 15, 2022 - [Interactive Poetry Reading @ Unit London](https://theverseverse.com/event/interactive-poetry-reading-unit-london) - Our co-founders Ana Maria Caballero, Sasha, Stiles, Kalen Iwamoto reunite at Unit London for live poetry readings and an interactive AI-generated poetry performance inspired by Unit's exhibitions. Very special guests include Arch Hades, Ross Goodwin, and Johnny Dean Mann. Friday October 14, 2022 // 6-9pm BST // 3 Hanover Square Mayfair, W1S 1HD RSVP here - [POÈME OBJKT: Part I VERNISSAGE](https://theverseverse.com/event/poeme-objkt-part-i-vernissage) - October 22 // 6:00pm CET // 58 rue Chapon, 75003 Paris Poème Objkt is a conversation between poetry and the visual arts brought to life through the liminal play of the physical and the digital. As contemporary expressions of Breton’s poem-object, the pieces in this exhibition present works of poetry, experimental writing and literature on the - [NFTuesdayLA with Ana + Sasha](https://theverseverse.com/event/nftuesdayla-with-ana-sasha) - join us for a night of poetry on the west coast. Ana + Sasha sit down with the NFTuesdayLA crew to talk poetry curation, read poetry, and generate poetry with VERSA August 23, 2022 // 7-9pm PT // El Cid // 4212 W Sunset Blvd Silver Lake, CA 90029 link to NFTuesdayLA thread with poetry - [SuperRare Launch: a poetic preview](https://theverseverse.com/event/superrare-launch-a-poetic-preview) - Celebrate the launch of theVERSEverse SuperRare Space with a poetry reading + collection preview August 6, 2022 // SuperRare Soho Gallery // 417 West Broadway, New York City, New York // 5-7pm - [panel: a conversation about AI @ Proof of People London](https://theverseverse.com/event/panel-a-conversation-about-ai-proof-of-people-london) - panel: in conversation with the artists about AI. speakers: Sasha Stiles, Ross Goodwin, Mario Klingemann, entangled others studio, Sofia Crespo, Feileacan McCormick, Sofia Garcia Moderated by Alex Estorick of Right Click Save includes a conversation about VERSA facilitated by Sasha + Ross when: Thursday July 7, 2022 // 12:00pm BST // Proof of People Day - [Poetry on the blockchain & poetry reading @ Proof of People London](https://theverseverse.com/event/poetry-on-the-blockchain-poetry-reading-proof-of-people-london) - Poetry on the blockchain & poetry reading when: July 7, 2022 // Proof of People Day 2 // 4:00pm BST where: fabric London // 77A Charterhouse Street // London // EC1M 6HJ // United Kingdom attend: get your festival tickets here - [Se Buscan Poetas: NFT & Metaverse Edition](https://theverseverse.com/event/se-buscan-poetas-nft-metaverse-edition) - Wednesday June 22, 2022 || 7:00pm - 9:00pm at The Bowery Club A conversation about poetry in the metaverse hosted by poet and performer Marcos de la Fuente (aka artpoet) featuring Kalen Iwamoto, Sasha Stiles, and Ana María Caballero This event is part of NFT.NYC and also includes a 3.0 Metaverse poetry show by Marcos - [theVERSEverse @ NFT.NYC](https://theverseverse.com/event/theverseverse-nft-nyc) - 6.20.22 CADAF NFT Marketplace on Tezos Blockchain Launch // 6:00pm-9:00pm // The National Arts Club // 15 Gramercy Park South, New York, NY 10003 6.22.22 Refraction Festival NYC // 6:30pm-12:30am ZeroSpace // 337 Butler St, Brooklyn, NY 11217 Se Buscan Poetas w/ Marcos de la Fuente // 7:00pm-9:00pm Bowery Poetry Club // 308 Bowery, New - [Poetry on the Blockchain Workshop Series](https://theverseverse.com/event/omiami-poetry-blockchain-workshop) - This two-part virtual series led by poets Breanna Faye & Ana Maria Caballero walked participants through the basics of NFTs, focusing on Tezos. - [Metaversal Language at Time Out Miami](https://theverseverse.com/event/time-out-miami-metaversal-language) - Time Out Miami and digital art gallery Blackdove to presented “Metaversal_Language,” an exploration of creative code as the language of the metaverse, and featured work by theVERSEverse co-founder Sasha Stiles, among others. - [Poetry in New York at Book Club Bar](https://theverseverse.com/event/poetry-new-york-book-club-bar) - theVERSEverse co-founder Sasha Stiles read poetry with her AI alter ego Technelegy at Book Club Bar in NYC. - [Non Fungible Conference - Poetry on the Blockchain](https://theverseverse.com/event/non-fungible-conference-poetry-blockchain) - Kalen Iwamoto, a co-founder of theVERSEverse, spoke during the Non Fungible Conference in April in Lisbon, Portugal. - [Future of Publishing Virtual Conference 2022](https://theverseverse.com/event/future-of-publishing-2022) - theVERSEverse co-founder Ana Maria Cabellero spoke during the Future of Publishing 2022 virtual conference, hosted by the London College of Communication. - [A Brief History (& Future) of Text-Based Art](https://theverseverse.com/event/twitter-history-future-text-art) - theVERSEverse hosted a Twitter Space on text-based art with artists Christian Bok, Pierre Gervois, and Merchant Coppola. - [Sasha Stiles Technelegy Book Launch in the Metaverse](https://theverseverse.com/event/sasha-stiles-technelegy-book-launch-metaverse) - theVERSEverse co-founder Sasha Stiles had a book launch party in the metaverse. - [NFT.NYC 2022](https://theverseverse.com/event/nft-nyc-2022) - Several members of theVERSEverse will be speaking at NFT.NYC in New York City June 20-23. - [NFTCON - Miami](https://theverseverse.com/event/nftcon-miami) - Ana Maria Caballero, theVERSEverse co-founder, spoke on the panel Into the Metaverse at NFTCON in Miami. - [Poetry Happy Hour in the Metaverse](https://theverseverse.com/event/metaverse-poetry-happy-hour) - theVERSEverse hosted a poetry happy hour in the Digital Francisco Carolinum CryptoVoxels metaverse gallery. - [OÖ Interview: theVERSEverse on IG LIVE](https://theverseverse.com/event/oo-interview-theverseverse) - OÖ Kunst interviewed members of theVERSEverse on Instagram LIVE. ## exhibitions - [POÈME SBJKT](https://theverseverse.com/exhibition/poeme-sbjkt) - an exhibition of works of literature both on and off the blockchain that enhance, reinvent and reimagine the relationship between text & image, analog & digital, blurring + challenging the lines that seek to divide. exhibiting May 25 - July 15 at Librairie Métamorphoses | 17 Rue Jacob, 75006, Paris featuring works by Kevin ABOSCH - [FERALVERSE](https://theverseverse.com/exhibition/feralverse) - FERALVERSE POETRY OF THE BODY AND OF THE EARTH POETRY AS ART WORD AS IMAGE FERALVERSE - the first exhibition of verse on Feral File - is planted as a seed for the poetry journal of the future, in which authorial imagination is unbounded, language and art exist in symbiosis, and every contributor is a - [The Xenotext: "language is a virus"](https://theverseverse.com/exhibition/the-xenotext-language-is-a-virus) - Opens July 23, 2025 about the show: The Xenotext: “language is a virus” celebrates the invisible legacy of empathy encoded into a ‘love-poem,’ poised to outlive the lifetime of the Sun. After 25 years, Christian Bök has completed The Xenotext, a dialogue of ‘sonnets’ implanted into the genome of a deathless bacterium, Deinococcus radiodurans, which - [HOWL.camera](https://theverseverse.com/exhibition/howl-camera) - On February 19, 2025, theVERSEverse proudly presents another literary milestone: the first generative, on-chain performance of Ginsberg’s era-defining poem Howl, rewritten for the digital age by AI pioneer Ross Goodwin. HOWL.camera began with wonder: Can AI help us read human poetry with fresh eyes? If so, what might we discover about ourselves? to find out, - [After Ginsberg](https://theverseverse.com/exhibition/after-ginsberg) - AFTER GINSBERG: “A PICTURE OF MY MIND” The first phase in an ongoing poetry experiment by theVERSEverse, after and inspired by Allen Ginsberg, using cutting-edge technology to deepen our engagement with the words and images of this legendary language artist. Developed in partnership with the Allen Ginsberg Estate and the Fahey/Klein Gallery, with theVERSEverse member - [POESÍA DE PROTESTA I](https://theverseverse.com/exhibition/poesia-de-protesta-part-1) - Ten protest poems in Spanish Ten visual interpretations Curated by Gladys Garrote Debuted at Refraction x Miami Art Week '22 Minted on objkt.com Exhibition Catalog Collection link POESÍA DE PROTESTA I features Katherine Bisquet x @cymoonv Ana Maria Caballero x @k_o_f_e_ Andrea Halaby x Ivan Casis Yolanda Segura x Bird of Omen Collective Martica Minipunto - [POESÍA DE PROTESTA II](https://theverseverse.com/exhibition/poesia-de-protesta-ii) - Ten protest poems in Spanish Ten visual interpretations Curated by Gladys Garrote Debuting at Proof of People x Refraction at ZeroSpace April 12-13 Minted on Objkt.com Alexandra Lytton Regalado x Gabrielle Mic Amalia Moreno x Genki Nishida Andrea Halaby x ARTJEDI1 Caridad Moro-Gronlier x Ellie Pritts Fermina Ponce x Anya Asano Legna Rodríguez Iglesias x - [CADAF ART FAIR NYC 2022](https://theverseverse.com/exhibition/cadaf-art-fair-nyc-2022) - hosted by CADAF / exhibited at web3gallery November 11 - November 13 theVERSEverse curation features I SAW YOU by Nicole Tallman x May Naibo PERSEPHONE by Nathaniel Stern x Anne Spalter THE PUBLIC by Ana Maria Caballero x Joelle Snaith MARIO by Pierre Gervois A CHILDHOOD by Peter Mishler x Michael Hughes TEXT IN TIME - [POÈME OBJKT: l'Avant Galerie Vossen x theVERSEverse](https://theverseverse.com/exhibition/poeme-objkt-lavant-galerie-vossen-x-theverseverse) - A conversation between the digital and the physical This co-curation with l’Avant Galerie Vossen and theVERSEverse in Paris materializes in two parts: Part 1 opens on October 22 and runs through November 19. L’Avant Galerie Vossen and theVERSEverse have curated the works of Sasha Stiles, Ross Goodwin, Ana María Caballero, aurèce vettier, Campbell McGrath, Robness, - [CADAF PARIS 2022](https://theverseverse.com/exhibition/cadaf-paris-2022) - CADAF Digital Art Month Paris June 2022 featuring theVERSEverse poets Denise Duhamel, Aurèce Vettier, Pierre Gervois, Kalen Iwamoto, and Sasha Stiles + Technelegy Another Summer of Love // Poem by Denise Duhamel // Art by Natalie Larrodé we are the trees on a new planet, the day after the last human left for the - [Proof of People London 2022](https://theverseverse.com/exhibition/proof-of-people-london-2022) - Proof of People NFT Festival for Art + Culture // 6-8 July // London tickets & general info // powered by Tezos theVERSEverse is pleased to present two activations supported by our three pillars: Curated, Conceptual, GenText Part 1: VERSES BY VERSA An AI Poetry Activation with live-minting – in partnership with Tezos/TZ Connect Together - [POEM = WORK OF ART Metaverse Gallery](https://theverseverse.com/exhibition/poetry-metaverse-gallery) - Digital Francisco Carolinum (DFC) presented POEM = WORK OF ART, a groundbreaking show of blockchain-based poetry curated by theVERSEverse. - [Refraction Festival NYC](https://theverseverse.com/exhibition/refraction-festival-nyc) - June 22, 2022 - June 23, 2022 // 6:30pm -12:30am // Brooklyn, NY RefractionDAO is taking over ZeroSpace with their first IRL exhibition. Featured artists include theVERSEverse poets Ana Maria Caballero, Sasha Stiles, and Nathaniel Stern. learn more here - [CORE Festival NFT Art Exhibition](https://theverseverse.com/exhibition/core-festival-nft-art-exhibition) - May 27 and 28 in Brussels, Belgium, poets and artists from theVERSEverse community will be featured at the CORE Festival NFT art exhibition. ## presses - [Poème Codés](https://theverseverse.com/press/poeme-codes) - [See Allen Ginsberg’s Photographs—and A.I.-Generated Poems Based on Them](https://theverseverse.com/press/see-allen-ginsbergs-photographs-and-a-i-generated-poems-based-on-them) - [A New Show of Allen Ginsberg’s Photographs Will Also Feature Poems Generated by an A.I. Trained on Those Same Images](https://theverseverse.com/press/a-new-show-of-allen-ginsbergs-photographs-will-also-feature-poems-generated-by-an-a-i-trained-on-those-same-images) - [This Art Exhibit Is Bringing New Life to Allen Ginsberg’s Poetry Using AI](https://theverseverse.com/press/this-art-exhibit-is-bringing-new-life-to-allen-ginsbergs-poetry-using-ai) - [An Evening with theVERSEVerse and Allen Ginsberg: A Captivating Event at Lume Studios in New York](https://theverseverse.com/press/an-evening-with-theverseverse-and-allen-ginsberg-a-captivating-event-at-lume-studios-in-new-york) - [Florida’s festival of art, light and sound expands with more immersive art experiences. Don’t miss it this January](https://theverseverse.com/press/floridas-festival-of-art-light-and-sound-expands-with-more-immersive-art-experiences-dont-miss-it-this-january) - [Explained: Literary NFTs and how they work](https://theverseverse.com/press/explained-literary-nfts-and-how-they-work) - [CONSENSUS 2022](https://theverseverse.com/press/consensus-2022) - Beeples and Apes and Punks, Oh My: How To Buy, Sell and Create NFTs Poet, artist, AI researcher and co-founder of theVERSEverse Sasha Stiles joins Superdigital.art founder Samantha James and SuperRare Labs CEO John Crain at Consensus 2022 to discuss buying, selling and creating NFTs for artists, collectors and investors. Moderator: Megan DeMatteo, CoinDesk contributor - [CRYPTO ART BEGINS](https://theverseverse.com/press/crypto-art-begins) - Crypto Art Begins For the first time, a prestigious publishing project enters the world of WEB3, with ONE OF THE BIGGEST DROP EVER on NIFTY GATEWAY, featuring 50 among the best Crypto Artists, including theVERSEverse Idea: The NFT Mag Curation: Eleonora Brizi at Brizi Art Publication: Rizzoli Books read more here - [The Dream of the Author: A Brief History of Generative Poetry](https://theverseverse.com/press/the-dream-of-the-author-a-brief-history-of-generative-poetry) - ARTCODE #2 The Dream of the Author: A Brief History of Generative Poetry by David Jones (@thestorydj) Published by Redlion News read more here - [POETRY AT THE EDGE OF THE HUMAN](https://theverseverse.com/press/poetry-at-the-edge-of-the-human) - POETRY AT THE EDGE OF THE HUMAN Right Click Save speaks to Ana Maria Caballero, Kalen Iwamoto, and Sasha Stiles of theVERSEverse, alongside data poet Ross Goodwin read more here - [Poetry is the Original Blockchain.](https://theverseverse.com/press/poetry-is-the-original-blockchain-jesse-damiani-speaks-to-sasha-stiles-about-how-nfts-are-unlocking-poetry-as-a-technology) - Poetry is the Original Blockchain. Jesse Damiani speaks to Sasha Stiles about how NFTs are unlocking poetry as a technology read more here by Jesse Damiani - [Ross Goodwin Performs Generative AI Poetry at Metaverse Art Week](https://theverseverse.com/press/ross-goodwin-performs-generative-ai-poetry-at-metaverse-art-week) - Ross Goodwin Performs Generative AI Poetry at Metaverse Art Week published by Decentraland News read more here - [NFTS AND THE REBIRTH OF THE READER](https://theverseverse.com/press/nfts-and-the-rebirth-of-the-reader) - read the full article from Right Click Save here by Alex Estorick - [VCA Curatorial Picks: Week 20 June, 2022](https://theverseverse.com/press/vca-curatorial-picks-week-20-june-2022) - read the full article from Vertical Crypto Art here - [Into the Literary Metaverse: How poets are joining Web3 and creating a new era for writers](https://theverseverse.com/press/into-the-literary-metaverse-how-poets-are-joining-web3-and-creating-a-new-era-for-writers) - [The Not So Obvious NFTs That Equal More Cash And Build Relationships](https://theverseverse.com/press/the-not-so-obvious-nfts-that-equal-more-cash-and-build-relationships) - [The Women Behind The NFT Boom](https://theverseverse.com/press/women-behind-the-nft-boom) - [Women-Led NFT Poetry Gallery TheVERSEverse Receives Grant To Build The Future Of Literature In The Metaverse On Tezos](https://theverseverse.com/press/nft-poetry-gallery-tezos-grant) - [Sasha Stiles’s Technelegy: Book Review](https://theverseverse.com/press/sasha-stiles-technelegy-book-review) - [NFTs and the Rebirth of the Reader](https://theverseverse.com/press/nfts-rebirth-of-the-reader) - [NFT poetry is definitely a thing coming to a blockchain near you](https://theverseverse.com/press/nft-poetry-coming-to-blockchain) - [AI Poetry](https://theverseverse.com/press/ai-poetry) - [Poetry and NFTs: a new Cyber-culture?](https://theverseverse.com/press/poetry-nfts-cyber-culture) - [Poetry is not a luxury, not even in the metaverse: How theVERSEverse is revolutionizing the publishing industry one NFT at a time](https://theverseverse.com/press/poetry-is-not-a-luxury-not-even-in-the-metaverse) - [Minting Your First NFT: A Beginner’s Guide to Creating an NFT](https://theverseverse.com/press/minting-your-first-nft) - [Check Out Ana Maria Caballero’s Story](https://theverseverse.com/press/ana-maria-caballeros-story) ## communities - [Zang Gallery](https://theverseverse.com/community/zang-gallery) - [Crypto Poetry](https://theverseverse.com/community/crypto-poetry) - [Crypto Writers](https://theverseverse.com/community/crypto-writers) ## versas - [VERSA](https://theverseverse.com/versa/versa) - VERSA is an emergent AI poet developed by theVERSEverse x Ross Goodwin, trained on the collective and ever-expanding poetry of the writers of theVERSEverse. ## versas upcoming - [poet 01 x artist 01](https://theverseverse.com/versa_upcoming/poet-01-x-artist-01) ## artists - [Ameni](https://theverseverse.com/artist/ameni-abida) - Ameni, an artist and curator who recently completed a master’s at University College London in Museum and Gallery Practice. She is passionate about art, history, anthropology, and sociology, with a keen interest in colonial heritage and processes of decolonization. - [Nathaniel Stern](https://theverseverse.com/artist/nathaniel-stern) - Nathaniel Stern is an artist, writer, teacher, and father; a full professor of art, engineering, and entrepreneurship; executive director of the Autism Brilliance Lab for Entrepreneurship (ABLE); and co-founder of the climate action startup, Eco Labs. His work across the fields of art and publishing, research and industry, more generally frames and amplifies who and - [Ellie Pritts](https://theverseverse.com/artist/ellie-pritts) - Ellie Pritts is a renowned transmedia artist exploring reinterpreted nostalgia via recursive analog and digital processes. Pritts offers unique and mind-expanding experiences through her work, inviting viewers to explore her immersive, other-worldly realm. - [Anne Spalter](https://theverseverse.com/artist/anne-spalter) - Spalter is a digital mixed media artist with work in the permanent collections of the V&A Museum, the Albright-Knox, the RISD Museum, The Progressive Collection, and others. With degrees in mathematics and painting, her influences are as diverse as Buddhist art, Jungian archetypes, and Surrealism. She is known for large-scale public works such as her - [Ivona Tau](https://theverseverse.com/artist/ivona-tau) - Dr. Ivona Tau is a generative A.I. artist from Vilnius, Lithuania, who works with neural networks and code as a medium in experimental photography and motion painting. Her goal is to find and evoke emotions through artificially intelligent tools. She creates universally relatable memories by transforming her experiences captured on analog and digital film through - [Eleni Tomadaki](https://theverseverse.com/artist/eleni-tomadaki) - Eleni Tomadaki is a visual artist based between London & Athens. Working interdisciplinarily across painting, moving image, installation, performance, text and digital media, she invents non-linear narratives to interrogate one’s relationship to the Other. She is interested in the multiple forms this Other can take, such as language, society, the law, one’s own self, or - [Gisel Florez](https://theverseverse.com/artist/gisel-florez) - Gisel Florez explores the ways in which we are interconnected in this space of existence using manual camera techniques & conceptual practice. Drawing upon traditional still & cinematic methods using a digital 4×5, she incorporates art with immutable technology on various platforms & blockchains. Founder of @OFFONGallery & Co-founder of WOCA (Women of Crypto Art) - [Anna Malina](https://theverseverse.com/artist/anna-malina) - Anna Malina is an artist working with photography and found footage to create digital/analog hybrid work with collage and experimental animation techniques. Aside from still imagery she makes .gifs. short films and music videos. - [Joëlle Snaith](https://theverseverse.com/artist/joelle-snaith) - Joëlle Snaith is an artist and designer working in the realm of live visuals and performance where she explores the relationship between sound and form. - [Akosua Viktoria Adu-Sanyah](https://theverseverse.com/artist/akosua-viktoria-adu-sanyah) - Akosua Viktoria Adu-Sanyah is an internationally exhibited and published German-Ghanaian visual artist and documentary photographer based in Zürich, Switzerland. Her work is frequently awarded for exploring new territories through image-making and research. Most recently, she received the Prix d’art Contemporain Robert Schuman and the Prix Photoforum for her poetic and political photographic body of work - [Layla Pizarro](https://theverseverse.com/artist/layla-pizarro) - Pizarro is a multidisciplinary artist based in Chile. Her practice bridges two distinct realms: figurative realism and non-representational abstraction. Her works are a reflection of her days and her experiences, ranging from analog and digital painting to digital and experimental photography. She also uses AI as a generative tool. - [Prince Ude](https://theverseverse.com/artist/prince-ude) - Prince Ude is a 3D Designer specializing and combining interests in the different worlds of architecture, art, design and film with a style consisting of bold use of colors and cinematic imagery. His body of work locates creativity at the intersection of humans and the unconscious mind. - [Julien Silvano](https://theverseverse.com/artist/julien-silvano) - Julien Silvano is a pluridisciplinary artist who explores the intersection of art, technology, and our relationship to systems of communication, data creation, and distribution. - [Alexandra Crouwers](https://theverseverse.com/artist/alexandra-crouwers-2) - Alexandra Crouwers (NL, 1974) is an artistic researcher and lecturer in the digital realm, working on the cusp of escapism and activism. Crouwers studied at Sandberg Institute in Amsterdam, and is currently a PhD in arts candidate at LUCA School of Arts/Leuven University in Belgium, focusing on finding new and unusual – sometimes unsettling and - [Diane Drubay](https://theverseverse.com/artist/diane-drubay) - Diane Drubay is a visual artist who uses photographs and videos to create optimistic visions of possible futures, inspired by social science fiction literature, color psychology, and scientific discoveries. Her fascination with natural light and colors began in 2012 while waiting for the golden hour in Claude Monet's garden at Giverny. Her work includes projects - [Solimán López](https://theverseverse.com/artist/soliman-lopez) - Solimán López is a new media and biotech artist based in Paris. Founder of the Harddiskmuseum, the biotoken OLEA, and the DNA digital entities Introns, among other projects, Solimán’s works have been shown in more than 20 countries including festivals, museums, galleries and art centers. - [Dina Chang](https://theverseverse.com/artist/dina-chang-2) - Dina Chang is an American artist and curator whose work merges traditional photography with machine learning, video, misused software, and science. She seeks an emotional response from viewers as opposed to an intellectual one. Previous exhibitions of her work include MoMA PS1 as part of the Expo: 1 New York module ProBio; The Andy Warhol - [Helena Sarin](https://theverseverse.com/artist/helena-sarin) - Helena Sarin is a visual artist and software engineer who has always worked with cutting edge technologies. First at Bell Labs, designing commercial communication systems, and for the last few years as an independent consultant, developing computer vision software using deep learning. Save for the occasional foray into generative art with Processing and computational photography, - [Nancy Baker Cahill](https://theverseverse.com/artist/nancy-baker-cahill) - Nancy Baker Cahill is an award-winning interdisciplinary artist whose hybrid practice focuses on systemic power, consciousness, and the human body. She creates research-based immersive experiences, video installations, and conceptual blockchain projects rooted in the history of drawing. Her monumental augmented reality (AR) artworks extend and subvert the lineage of land art, often highlighting the climate - [Gretta Louw](https://theverseverse.com/artist/gretta-louw) - Gretta Louw is a South African-born Australian artist, writer, and curator based in Munich, Germany. Her practice investigates the tensions between sensuality and efficiency; craft and automation; constant digital connectedness and corporeal dislocation: in short, the technosphere and the biosphere. Louw is a graduate of the University of Western Australia and her work has been - [Artsychaut (Kim Siew)](https://theverseverse.com/artist/artsychaut-kim-siew) - Artsychaut (Kim Siew) is a Mauritian artist fond of visual and written art. Member of the Cyberbaat DAO. - [Brook Getachew](https://theverseverse.com/artist/brook-getachew) - Brook Getachew (b. 1991) is a visual artist, designer, writer, founder as well as brand and community builder from Ethiopia. Brook’s artistic work is a meditative question on existence as he uses his experience as a mirror for others to pause and experience theirs. - [May Naibo](https://theverseverse.com/artist/may-naibo) - Naibo is a Kenyan photographer whose work ranges from nature, wildlife, travel, urban, and street photography. She has been in the NFT space since May 2021. Her passion in the art of photography is to tell stories and freeze moments. May is also passionate about conservation and preservation of nature. Aside from being an artist, - [Natalie Larrodé](https://theverseverse.com/artist/natalie-larrode) - Larrodé is a figurative and neo-figurative artist interested in drawing, oil painting, digital art, and their intersections. - [Sarah Ridgley](https://theverseverse.com/artist/sarah-ridgley) - Sarah Ridgley is a generative artist and poet working with computer code. Her work focuses on exploring the space between the hand-drawn and the computer-drawn, and on blurring those boundaries. She uses Processing (p5js) and JavaScript to build her programs, and designs her own algorithmic brushes to complete each piece. Everything she does is the - [Rose Jackson](https://theverseverse.com/artist/rose-jackson) - Rose is an Australian textile and digital artist. She uses traditional wet felting methods to hand make wool felt, from which she creates a range of digital artworks combining those physical felt artworks with animation and GAN. Inspired by her surrounds in the bushland of Blue Mountains, Australia, she makes abstract artworks to explore the - [Marlon Portales](https://theverseverse.com/artist/marlon-portales) - Portales graduated from Havana’s Higher Institute of Art (ISA) with honors. His practice is multidisciplinary and includes diverse media, such as painting, installation, video art, photography, performance and NFTs. His views in the fields of politics and ideals yield works that carry evident sociological and philosophical quests. Ultimately, through his work, he aims at engaging - [Vanessa Coleman](https://theverseverse.com/artist/vanessa-coleman) - Vanessa Coleman is a interdisciplinary artist & poet, creating emotive collages & poetry with empowering and sometimes raw feminist undertones. Initially creating analog collage works in the 90’s, she now creates multimedia NFT art across crypto platforms. Vanessa’s NFTs have been included in the following exhibits: Graffiti Queens curated by Yuna/Graffiti Kings in Decentraland, Renaissance - [Harry Yeff x Trung Bao Nguyen](https://theverseverse.com/artist/harry-yeff-x-trung-bao-nguyen) - Harry Yeff (aka Reeps100) is a London born neuro-divergent artist and technologist specializing in voice and technology based artworks. In 2018 Yeff founded the VOICE GEMS project, collecting the world's voices as data to generate digital artifacts and physical sculpture. Yeff has been visualizing the voice for over 10 years and is globally celebrated as - [Dianna Frid](https://theverseverse.com/artist/dianna-frid) - Dianna Frid is an artist working at the intersection of material texts and textiles. Her artist’s books and mixed-media works make visible the tactile manifestations of language. In her work, embroidery is a prominent vehicle for exploring the relationships between writing and drawing, and the overlaps of transcription, translation, and legibility. Frid was born in - [Mieke Marple](https://theverseverse.com/artist/mieke-marple) - Mieke Marple is an artist and writer living in Los Angeles. She is the creator of the Medusa Collection, a set of generative art NFTs reframing the Medusa myth. Marple has exhibited internationally and been written about by The New York Times, W Magazine, The Guardian, Fortune, Elle, and Autre, among other publications. She has - [Alida Sun](https://theverseverse.com/artist/alida-sun) - Alida Sun is an artist and technologist whose practice integrates presence, resistance, and the nature of adaptation in the age of algorithms. Every day for over 1,400 days and counting she has coded and built new generative artwork spanning installation, sound, choreography, architecture, drawing and light. Sun is the creator of Art Blocks Curated project - [Connie Bakshi](https://theverseverse.com/artist/connie-bakshi) - Connie Bakshi is an artist based in Los Angeles, trained as a classical pianist and biomedical engineer. Working predominantly with artificial intelligence, she probes postcolonial narratives that emerge on the boundaries between the synthetic and organic, material and immaterial, the human and nonhuman. Her works often recode language, lore, and ritual to invoke the unspoken - [Emily Edelman](https://theverseverse.com/artist/emily-edelman) - Emily Edelman is an artist, designer, and curator in New York City. Working primarily in generative art, Emily’s algorithms explore text, typography, communication, scale, and color theory. With a background in events, Emily also designs physical spaces and experiences. Emily’s work has been shown internationally with Art Blocks, Verse Works, Artsy, and VellumLA. She is - [Robness](https://theverseverse.com/artist/robness) - Robness is a crypto art contributor from the early days of blockchain. His infamous “64 gallon toter” challenged the notions of copyrights in a decentralized network. - [artist name 01](https://theverseverse.com/artist/artist-name-01) - At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, ## inDialogues - [re:VERSE panel: POEM = WORK OF ART moderated by Ana María Caballero](https://theverseverse.com/indialogue/the-complete-audio-of-reverse-our-poetry-symposium-in-london) - POEM = WORK OF ART, a discussion with Arch Hades, Melanie Lenz, Aleksandra Art, and Abigail Miller, moderated by Ana María Caballero held at re:VERSE, the poetry symposium in London on April 23, 2025 at Ladbroke Hall. the evening was co-presented by theVERSEverse and The Tezos Foundation in partnership with The Collectors Club, Muse Frame, - [re:VERSE panel: POEM = CODE moderated by Sasha Stiles](https://theverseverse.com/indialogue/reverse-panel-poem-code-moderated-by-sasha-stiles) - POEM = CODE, a discussion with Eva Jäger, Dyl Blaquiere, Jen Roebuck, and Mark Webster, moderated by Sasha Stiles ​ held at re:VERSE, the poetry symposium in London on April 23, 2025 at Ladbroke Hall. the evening was co-presented by theVERSEverse and The Tezos Foundation in partnership with The Collectors Club, Muse Frame, Digital Art ## var(verses) - [HOWL.camera: into the darkroom with Ross Goodwin](https://theverseverse.com/var-verse/howl-camera-into-the-darkroom) - "HOWL.camera: into the darkroom" is a conversation between data poet Ross Goodwin and Elisabeth Sweet about HOWL.camera as an algorithmic evolution of Allen Ginsberg's iconic poem "Howl, for Carl Solomon" published in 1956 and of Muses & Self, an exhibition of Allen Ginsberg's photographs shown at Fahey/Klein Gallery in 2023. Ross Goodwin released HOWL.camera on - [encapsuled: var(semic)](https://theverseverse.com/var-verse/encapsuled-varsemic) - encapsuled: var(semic) is a generative conversation exploring the limitations and potential of human ideas read by machines. rooted in texts by David Hume & Ludwig Wittgenstein, Michelangelo, the artist known as encapsuled and Elisabeth Sweet discuss patterns, miracles, and uncertainty. an algorithm created by encapsuled reads the dialogue and answers a fourth question with an - [KHD: var(listen)](https://theverseverse.com/var-verse/khd-varlisten) - in KHD:var(listen), poet Katie Dozier (KHD) engages all of her senses to create a new work of art. with a focus on listening via polls, KHD asked our online audiences to choose key elements of the poem. the polling + conversation culminated in the original poem Howling. read the polls + tied & final results: - [aurèce vettier: var(mount dialogue)](https://theverseverse.com/var-verse/aurece-vettier-varmount-dialogue) - aurèce vettier: var(verse), which is the rereading of “without our presence, the soil breaks down” by aurèce vettier. “without our presence, the soil breaks down” is composed of 7 lines written with aurèce vettier’s AI-generated latent botanist handwriting. the poem serves as a thread for the black paintings of the "Potential Herbariums" series, shown during - [Laura Kerr: var(verse)](https://theverseverse.com/var-verse/laura-kerr-varverse) - Laura Kerr: var(verse) features a curated release of new work by the visual poet Laura Kerr. throughout the month of August 2024, Laura participated in an experimental interview with Elisabeth Sweet. playing with themes of rereading + dialogue over time, Laura & Elisabeth explored nature + technology + place from 3 vantage points: global, local, ## Poems - [Domingo 13](https://theverseverse.com/poems/domingo-13) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [enough](https://theverseverse.com/poems/enough) - This poem by Elisabeth Sweet blossomed from an inquiry: What is the job of an artist? Elisabeth sat with this question for some time, away from the city, vehemently not traveling for five months. The conclusion she came to was: An artist’s job is to never be satisfied. But she didn’t love that answer. Because - [Howling](https://theverseverse.com/poems/howling) - a video poem by Katie Dozier (2024) Nikon Z8 / 4K / 2160 x 3840 / MP4 / 2:13 Kate Dozier (KHD) is the author of Watering Can, co-author of Hot Pink Moon, haiku editor of ONE ART: A Journal of Poetry, and a Series Editor at Rattle Magazine. “Howling” is the culmination of KHD: - [24 Stocks Poem](https://theverseverse.com/poems/24-stocks-poem) - 24 Stocks Poem (2024) explores the intersection of natural growth and human-imposed order. The vertical lines evoke the imagery of crops or stocks in a field, symbolizing both the organic process of growth and the structured rhythm of poetry. The horizontal band of light across the middle symbolizes a horizon line. Each line represents - [Los Dígitos: la nueva carne](https://theverseverse.com/poems/los-digitos-la-nueva-carne) - “Los Dígitos: la nueva carne” is a fierce criticism of the deception that involves the immeasurable embrace of incipient technology and how we are deceived by corporations to consume and defend that technology as ours, which, in the end, only turns us into their servants. The human body, the flesh, will be replaced by the - [La Máquina](https://theverseverse.com/poems/la-maquina) - La Máquina is a poem inspired by the book “Translucent Shadows”, by Peter Lamborn Wilson. In the book, the author reflects on the dystopias of a future built by machines that, in a lucid dream, envy the organic capacity of humans. The machines, deep down, only want to be like us, their parents and creators, - [PIQUE-NIQUE POÈME](https://theverseverse.com/poems/pique-nique-poeme) - PIQUE-NIQUE POÈME (2024) blurs the line between visual art and poetry, offering a layered experience where the textures and tones reflect the interplay of thoughts, emotions, and the natural world. This piece invites the viewer to engage with each section as if reading a stanza in a poem, evoking the ephemeral nature of picnics—moments - [Surface Tension](https://theverseverse.com/poems/surface-tension) - Surface Tension (2024) explores the complex relationship between the beauty of a garden and the unsettling realities that lie beneath. The vibrant, electric colours represent flowers emerging in a garden, only to be disrupted by the dark, chaotic forces hidden below the surface. The work symbolizes the moment of disillusionment when the idealized growth - [I SAW YOU](https://theverseverse.com/poems/i-saw-you) - I SAW YOU (2022, Edition of 1) Original poem by Nicole Tallman, visually interpreted by May Naibo, a Kenyan photographer whose work ranges from nature, wildlife, travel, urban, and street photography. She has been in the NFT space since May 2021. Her passion in the art of photography is to tell stories and freeze moments. - [CENTURY SICKNESS](https://theverseverse.com/poems/century-sickness) - CENTURY SICKNESS (2022, Edition of 1) Original poem written by David Hernandez and interpreted by Artsychaut (Kim Siew), a Mauritian artist fond of visual and written art. Member of the Cyberbaat DAO. __ CENTURY SICKNESS In the iron light of autumn, a crow headed east over Stearns Avenue, at the height of phone lines, in - [GRAMMAR](https://theverseverse.com/poems/grammar) - GRAMMAR is an original poem written by Julie Marie Wade and interpreted by Rose Jackson. Rose is an Australian textile and digital artist. She uses traditional wet felting methods to hand make wool felt, from which she creates a range of digital artworks combining those physical felt artworks with animation and GAN. Inspired by her - [SOHO ~ Choose Beauty](https://theverseverse.com/poems/soho-choose-beauty) - Choose Beauty was originally created in coordination with a selection of artworks that was displayed at the Stellar Gallery at Lume Studios in Soho NYC on April 2nd CHOOSE BEAUTY Life itself is an oath, It is the beauty we chose, Turning hands clenched by the coast. Falling curtains are what we love the - [SOHO](https://theverseverse.com/poems/soho) - "SOHO was originally written in collaboration with theVERSEverseerse and the estate of Allen Ginsberg ~ inspired by my trips to New York, the people I’ve met and adventures I’ve been on. Red bricks and terraces contrast a New York street from any other. The rain is always present, wether falling or in potential. But there - [POEM FOR PEOPLE WHO SAY THEY DON'T PRAY](https://theverseverse.com/poems/poem-for-people-who-dont-pray) - POEM FOR PEOPLE WHO SAY THEY DON'T PRAY (2022, Edition of 1) Original poem written by Nicole Tallman and visually interpreted by Ameni, an artist and curator who recently completed a master's at University College London in Museum and Gallery Practice. She is passionate about art, history, anthropology, and sociology, with a keen interest in - [CONFESSIONAL](https://theverseverse.com/poems/confessional) - CONFESSIONAL is a poem by Guggenheim fellow Denise Duhamel, published exclusively by theVERSEverse, and visually interpreted by Cuban artist Marlon Portales. Portales graduated from Havana’s Higher Institute of Art (ISA) with honors. His practice is multidisciplinary and includes diverse media, such as painting, installation, video art, photography, performance and NFTs. His views in the fields - [Future Mythologies: Penny](https://theverseverse.com/poems/penny) - Penelope tires of waiting and weaving for Oydsseus, and instead takes flight. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek - [I, Sinkhole](https://theverseverse.com/poems/i-sinkhole) - I, Sinkhole is a poem written with products in a Zazzle store. Where Breton’s Poème-Objet constructions of the early 20th century incorporated everyday objects such as pearls, metal locks, a wooden egg, and a glass eye, I, Sinkhole translates the Poème-Objet construction into a kind of Poème-Produit where the radical availability presented by networked global - [Future Mythologies: Icarus](https://theverseverse.com/poems/future-mythologies-icarus) - Icarus revels in his angst. FUTURE MYTHOLOGIES is a collaborative series between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi twist. Written - [Future Mythologies: Cy](https://theverseverse.com/poems/future-mythologies-cy) - Cyclops looks and sees, draws and creates. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi twist. - [Future Mythologies: Ariadne](https://theverseverse.com/poems/future-mythologies-ariadne) - Ariadne questions everything, and finds her way. FUTURE MYTHOLOGIES is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi twist. - [Future Mythologies: Pandora](https://theverseverse.com/poems/future-mythologies-pandora) - If she had to do it again, Pandora would still open the box. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from - [Future Mythologies: Hektor](https://theverseverse.com/poems/hektor-3) - Hektor accepts his fate as the fallen hero. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi - [Future Mythologies: Artemis](https://theverseverse.com/poems/artemis) - She is more than a symbol; she is Artemis. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a - [Future Mythologies: Medusa](https://theverseverse.com/poems/medusa) - Medusa overwrites tragedy with adventure. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi twist. Written and - [Future Mythologies: Odys](https://theverseverse.com/poems/future-mythologies-odys) - Odysseus longs to feel present in his journeys. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi - [Future Mythologies: Arachne](https://theverseverse.com/poems/future-mythologies-arachne) - Arachne finds love in raw potential. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi twist. Written - [Future Mythologies: Achilles](https://theverseverse.com/poems/achilles) - Achilles wants to be more than his story. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek mythology, with a sci-fi - [la rueda se ha deteni](https://theverseverse.com/poems/la-rueda-se-ha-deteni) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest -political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 - [Canción del Optimista](https://theverseverse.com/poems/cancion-del-optimista) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [Por esta vida de díscolo](https://theverseverse.com/poems/por-esta-vida-de-discolo) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [Reconciliación](https://theverseverse.com/poems/reconciliacion) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [Infierno](https://theverseverse.com/poems/infierno) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [Clemencia](https://theverseverse.com/poems/clemencia) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [Mermelada agridulce](https://theverseverse.com/poems/mermelada-agridulce) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [A las que te preguntan impúdicas y responden sin que les preguntes](https://theverseverse.com/poems/a-las-que-te-preguntan-impudicas-y-responden-sin-que-les-preguntes) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [Subversión](https://theverseverse.com/poems/subversion) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [Fácil](https://theverseverse.com/poems/facil) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest -political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 - [hektor](https://theverseverse.com/poems/hektor-2) - hektor was originally recorded and released as part of hektor.net in 1999, and re-edited without audio for IO in 2022. HEKTOR is part of the HANDHELD POEMS collection, a limited edition video print series by theVERSEverse and Infinite Objects, in partnership with Studio As We Are. Editions of 12. - [TREGUA](https://theverseverse.com/poems/tregua) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [Un poema que no termina nunca](https://theverseverse.com/poems/un-poema-que-no-termina-nunca) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [El mal concreto](https://theverseverse.com/poems/el-mal-concreto) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [EL CRUCIGRAMA](https://theverseverse.com/poems/el-crucigrama) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [¿CÓMO HACER UNA REVOLUCIÓN SIN UN CARRO?](https://theverseverse.com/poems/como-hacer-una-revolucion-sin-un-carro) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [Consejo A La Hija Que Nunca Tendré](https://theverseverse.com/poems/consejo-a-la-hija-que-nunca-tendre) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [HIJA, UNA HERENCIA](https://theverseverse.com/poems/hija-una-herencia) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [VenusDance of {RESONANCE}](https://theverseverse.com/poems/venusdance-of-resonance) - Magnetic forces of spectral starlight focused upon Venus’s momentum; a journey by sunlight into waves of a universal infinite abyss. VenusDance of {RESONANCE} is part of the HANDHELD POEMS collection, a limited edition video print series by theVERSEverse and Infinite Objects, in partnership with Studio As We Are. Editions of 12. - [Some Last Questions](https://theverseverse.com/poems/some-last-questions) - The film uses Ips typography, a custom font based on the distinct hieroglyphic patterns the European spruce bark beetle (Ips typographus) leaves behind after its devastation. The font is based on drawings of beetle patterns from bark, found as evidence of the beetle’s passage on a clear-cut: a plot of family land – bought in - [The Hybrid Branch](https://theverseverse.com/poems/the-hybrid-branch) - We live in a period of hybridisations occurring in all directions. From biological mutations themselves to major environmental changes. The art world also presents these hybridisations. Today everything is amplified by technology, from poetry to bio art. In The Hybrid Branch, Solimán López has versioned and synthesized the poem "Pastoral" by poet John James to - [The Body Prepares](https://theverseverse.com/poems/the-body-prepares) - The Body Prepares combines Nancy Baker Cahill’s acclaimed Slipstream series with a poem from Ana María Caballero’s prize-winning manuscript Mammal. This work fuses both artists’ interest in the tension between physicality and selfhood, between biological processes and their cultural implications, and between ecology and the storylines we construct to explain (and thus attempt to contain) - [Ghost Organ](https://theverseverse.com/poems/ghost-organ) - Ghost Organ is a single channel video artwork by multimedia artist Gretta Louw based on the Marci Calabretta Cancio-Bello poem of the same title. “Ghost Organ” was previously published in Moledro Magazine (Issue 4, Dec 2016). Marci Calabretta Cancio-Bello x Gretta Louw -- Ghost Organ These are your ribs that have built this city, your - [Gray](https://theverseverse.com/poems/gray) - Applying the lens of artificial intelligence and degenerative manipulation to the verse of P. Scott Cunningham’s Gray, this collaboration with Connie Bakshi decodes the language of the withheld to unravel the ties that bind. Drawing inspiration from early generation genetic sequencing protocols, the creation of the final work denatures, fragments, and replicates the ‘DNA strands’ - [Futurum Febris](https://theverseverse.com/poems/futurum-febris) - Futurum Febris, fruit of the collaboration between the poet Denise Duhamel and visual artist Diane Drubay, takes us on a journey towards a distressing transcendence. The planet becomes a metaphor for the memories and thoughts of the narrator of “Pilgrims,” Denise Duhamel's poem. Like a path that accompanies the text, going from the naivety of - [FERAL FONT: Neural Network Font Type (NNFT)](https://theverseverse.com/poems/feral-font-neural-network-font-type-nnft) - A collaboration between Sasha Stiles and Nathaniel Stern, “FERAL FONT” is a generative ars poetica inspired by and expressed in Neural Network Font Type (NNFT), a fully functional AI-generated True Type Font conceived by Stiles and Stern for their ongoing project, “Mother Computer.” NNFT was first developed in 2022 using a GAN to “read” alphabet - [SHARED REFLECTIONS: A SNAPSHOT, after Allen Ginsberg, “Calcutta Self-Portrait with Peter Orlovsky, 1962”](https://theverseverse.com/poems/shared-reflections-a-snapshot-after-allen-ginsberg-calcutta-self-portrait-with-peter-orlovsky-1962) - One of six unique works in “A PICTURE OF MY MIND: Poems Written by Allen Ginsberg’s Photographs,” theVERSEverse’s inaugural collection of ekphrastic poetry using natural language processing technology and text-to-image/image-to-text techniques to respond to the iconic words and images of the legendary Beat poet. Presented at UNIT London's online exhibition from 15 November -- 12 - [A MEDITATION IN MAINE, after Allen Ginsberg, “Berenice Abbott, May 14, 1985”](https://theverseverse.com/poems/a-meditation-in-maine-after-allen-ginsberg-berenice-abbott-may-14-1985) - One of six unique works in “A PICTURE OF MY MIND: Poems Written by Allen Ginsberg’s Photographs,” theVERSEverse’s inaugural collection of ekphrastic poetry using natural language processing technology and text-to-image/image-to-text techniques to respond to the iconic words and images of the legendary Beat poet. Presented at UNIT London's online exhibition from 15 November -- 12 - [BALLAD OF THE ROOFTOP ANGEL, after Allen Ginsberg, “Alene Lee, immortalized as Mardou Fox in Kerouac's Subterraneans, rooftop near Tompkins Park & Paradise Alley, 1953”](https://theverseverse.com/poems/ballad-of-the-rooftop-angel-after-allen-ginsberg-alene-lee-immortalized-as-mardou-fox-in-kerouacs-subterraneans-rooftop-near-tompkins-park-paradise-alley-1953) - One of six unique works in “A PICTURE OF MY MIND: Poems Written by Allen Ginsberg’s Photographs,” theVERSEverse’s inaugural collection of ekphrastic poetry using natural language processing technology and text-to-image/image-to-text techniques to respond to the iconic words and images of the legendary Beat poet. Presented at UNIT London's online exhibition from 15 November -- 12 - [METROPOLITAN WHISPERS, after Allen Ginsberg, “William S Burroughs, Metropolitan Museum of Art, NYC, 1953”](https://theverseverse.com/poems/metropolitan-whispers-after-allen-ginsberg-william-s-burroughs-metropolitan-museum-of-art-nyc-1953) - One of six unique works in “A PICTURE OF MY MIND: Poems Written by Allen Ginsberg’s Photographs,” theVERSEverse’s inaugural collection of ekphrastic poetry using natural language processing technology and text-to-image/image-to-text techniques to respond to the iconic words and images of the legendary Beat poet. Presented at UNIT London's online exhibition from 15 November -- 12 - [THE ESCAPE, after Allen Ginsberg, “Heroic Portrait of Jack Kerouac on Fire Escape, New York, 1953”](https://theverseverse.com/poems/the-escape-after-allen-ginsberg-heroic-portrait-of-jack-kerouac-on-fire-escape-new-york-1953) - One of six unique works in “A PICTURE OF MY MIND: Poems Written by Allen Ginsberg’s Photographs,” theVERSEverse’s inaugural collection of ekphrastic poetry using natural language processing technology and text-to-image/image-to-text techniques to respond to the iconic words and images of the legendary Beat poet. Presented at UNIT London's online exhibition from 15 November -- 12 - [BOOK SONG, after Allen Ginsberg, “Amiri Baraka and others, Small Press Book Fair, December 2, 1990”](https://theverseverse.com/poems/book-song-after-allen-ginsberg-amiri-baraka-and-others-small-press-book-fair-december-2-1990) - One of six unique works in “A PICTURE OF MY MIND: Poems Written by Allen Ginsberg’s Photographs,” theVERSEverse’s inaugural collection of ekphrastic poetry using natural language processing technology and text-to-image/image-to-text techniques to respond to the iconic words and images of the legendary Beat poet. Presented at UNIT London's online exhibition from 15 November -- 12 - [we are the trees forming circular ruins](https://theverseverse.com/poems/we-are-the-trees-forming-circular-ruins) - This artwork is from a series of 5 poems from French artist collective aurèce vettier, all beginning with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the - [Future Mythologies: Anthology](https://theverseverse.com/poems/future-mythologies-anthology) - Collect 12 Al poems + images by Nathaniel Stern and Anne Spalter, respectively, as an editioned PDF chapbook from theVERSEverse. Originated as a series of 1/1 videos on Ethereum, each explores a character from Greek mythology, with a sci-fi twist. - [Future Mythologies: Persephone](https://theverseverse.com/poems/future-mythologies-persephone) - Persephone navigates space carefully - never turning around - and finds beauty. Future Mythologies is a collaboration between Anne Spalter and Nathaniel Stern for theVERSEverse’s GenText series. It’s a series of 12 poems written in collaboration with text-based AIs, incorporated into videos produced with the help of text-to-image AI. Each explores a character from Greek - [City Life 9](https://theverseverse.com/poems/city-life-9) - [City Life 8](https://theverseverse.com/poems/city-life-8) - [City Life 7](https://theverseverse.com/poems/city-life-7) - [City Life 6](https://theverseverse.com/poems/city-life-6) - [City Life 5](https://theverseverse.com/poems/city-life-5) - [City Life 4](https://theverseverse.com/poems/city-life-4) - [City Life 3](https://theverseverse.com/poems/city-life-3) - [City Life 2](https://theverseverse.com/poems/city-life-2) - [City Life 12](https://theverseverse.com/poems/city-life-12) - [City Life 11](https://theverseverse.com/poems/city-life-11) - [City Life 10](https://theverseverse.com/poems/city-life-10) - [City Life 1](https://theverseverse.com/poems/city-life-1-2) - [THE RECIPE](https://theverseverse.com/poems/the-recipe) - THE RECIPE is a poem written by Marci Calabretta Cancio Bello and visually interpreted by Eleni Tomadaki (Eleni is bored again). Cancio-Bello has received fellowships from the National Endowment for the Arts, Kundiman, the Knight Foundation, and the American Literary Translators Association, and her work has appeared in Best Small Fictions, Kenyon Review Online, The - [1-0](https://theverseverse.com/poems/1-0) - 1-0 is a French-English palindromic pong poem that plays out the clash and collusion of resistance and dreams. A poem published as an Infinite Object video print. 15 x 21 cm Infinite Object (video with plexiglass frame) -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that - [FIFTY DAYS AT ILIAM (Sarah Ridgley)](https://theverseverse.com/poems/fifty-days-at-iliam-sarah-ridgley) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [Flower-Colored Light 8](https://theverseverse.com/poems/flower-colored-light-8) - [THE PUBLIC](https://theverseverse.com/poems/the-public) - THE PUBLIC is a poem written by Ana Maria Caballero and visually interpreted by Joëlle, an artist and designer working in the realm of live visuals and performance where she explores the relationship between sound and form. Joëlle created the visuals using a waveform of Ana's voice reciting the poem, then processing it and adding - [Seeds and Ashes 10](https://theverseverse.com/poems/seeds-and-ashes-10) - [Flower-Colored Light 2](https://theverseverse.com/poems/flower-colored-light-2) - [Flower-Colored Light 3](https://theverseverse.com/poems/flower-colored-light-3) - [Seeds and Ashes 12.](https://theverseverse.com/poems/seeds-and-ashes-12) - [Seeds and Ashes 5](https://theverseverse.com/poems/seeds-and-ashes-5) - [Seeds and Ashes 2](https://theverseverse.com/poems/seeds-and-ashes-2) - [Seeds and Ashes 6](https://theverseverse.com/poems/seeds-and-ashes-6) - [Flower-Colored Light 4](https://theverseverse.com/poems/flower-colored-light-4) - [Flower-Colored Light 6](https://theverseverse.com/poems/flower-colored-light-6) - [Flower-Colored Light 11](https://theverseverse.com/poems/flower-colored-light-11) - [Spring So Uneasy](https://theverseverse.com/poems/spring-so-uneasy) - A collaboration between poet Lillian-Yvonne Bertram and artist Dina Chang, Chang’s visuals provide a stunning photographic take on Bertram’s poem “The Body Deformed by Tidal Forces.” The poem is a muscular lyrical meditation on the physics of tidal forces that simultaneously create solidity and changes of season through rotation and gravitational push/pull and threaten destruction - [Flower-Colored Light 5](https://theverseverse.com/poems/flower-colored-light-5) - [Seeds and Ashes 4](https://theverseverse.com/poems/seeds-and-ashes-4) - [Seeds and Ashes 8](https://theverseverse.com/poems/seeds-and-ashes-8) - [Flower-Colored Light 10](https://theverseverse.com/poems/flower-colored-light-10) - [Flower-Colored Light 9](https://theverseverse.com/poems/flower-colored-light-9) - [YOU MUST WEAR THE BRONZE ARMOUR OF YOUR DREAMS](https://theverseverse.com/poems/shield-of-achilles) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [Seeds and Ashes 11](https://theverseverse.com/poems/seeds-and-ashes-11) - [Seeds and Ashes 9](https://theverseverse.com/poems/seeds-and-ashes-9) - [Notes From a Hackberry Seed](https://theverseverse.com/poems/notes-from-a-hackberry-seed) - Notes From A Hackberry Seed is part of Seth Bockley’s ‘Nature Speaks!’ series. This initiative, created through the poet’s position as Director of Creative Engagement for Sovereign Nature Initiative, a web3 tech/theory/art collective, imagines giving human voice to nonhuman experiences, while recognizing the impossibility of fully translating those experiences. Helena Sarin’s visual rendering pays homage - [Flower-Colored Light 1](https://theverseverse.com/poems/flower-colored-light-1) - [Flower-Colored Light 7](https://theverseverse.com/poems/flower-colored-light-7) - [Flower-Colored Light 12](https://theverseverse.com/poems/flower-colored-light-12) - [POEM FOR SYLVIA PLATH](https://theverseverse.com/poems/poem-for-sylvia-plath) - POEM FOR SYLVIA PLATH (2022, Edition of 1) Original poem written by Nicole Tallman and interpreted by Brook Getachew. Brook Getachew (b. 1991) is a visual artist, designer, writer, founder as well as brand and community builder from Ethiopia. Brook's artistic work is a meditative question on existence as he uses his experience as a - [Seeds and Ashes 1](https://theverseverse.com/poems/seeds-and-ashes-1) - [Seeds and Ashes 3](https://theverseverse.com/poems/seeds-and-ashes-3) - [Seeds and Ashes 7](https://theverseverse.com/poems/seeds-and-ashes-7) - [YOU MUST LAUD YOUR DEATH IN A SYMPHONY OF SILVER](https://theverseverse.com/poems/ilians-in-battle) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [Leitmotif, Nihilist, Epitome](https://theverseverse.com/poems/leitmotif-nihilist-epitome) - by Ronnie Angel Pope x Connie Bakshi 2023. Three 3D printed PLA pieces, 3x3x3in (7.62x7.62x7.26cm) each MP4 (No Audio) | 1920x1440px | 0:16 Leitmotif, Nihilist, Epitome lives between the inner and outer life of language, where the fabric of identity would be shaped by singular words. Created in collaboration with machine intelligence, a persona is - [All My Pretty Follies](https://theverseverse.com/poems/all-my-pretty-follies) - By Mieke Marple Part of a series of digital works and paintings exploring the language of love. Inspired by Edna St. Vincent Millay's poem "I think I should have loved you presently." "I think I should have loved you presently (Sonnet IX)" Edna St. Vincent Millay - 1892-1950 I think I should have loved you - [YOU MUST KILL A VIPER, IF IT HAS DEFILED YOUR ORCHARD](https://theverseverse.com/poems/house-of-priam) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [YOU MUST AIM YOUR BOW SKYWARD TO PROD THE STARS](https://theverseverse.com/poems/shades-of-eternal-night) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [YOU MUST GUARD THE DOORWAY OF YOUR EMPTY CHAPEL](https://theverseverse.com/poems/achaeans-in-battle) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [YOU MUST ROLL THE DICE TO GAMBLE AWAY YOUR REALM](https://theverseverse.com/poems/heroes-of-the-achaeans) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [in marble of a girl](https://theverseverse.com/poems/in-marble-of-a-girl) - By Mieke Marple 2023 Acrylic on canvas 14 x 11 x 1.5 in Photo courtesy Grant Gutierrez -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek - [YOU MUST FIRST BREAK A MOUNTAIN TO BECOME A GOD](https://theverseverse.com/poems/heroes-of-the-ilians) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [YOU MUST PLUCK, LIKE LOVE, A VIOLET FLOWER OF FLAME](https://theverseverse.com/poems/the-fire-that-consumes-all-before-it) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [AS THE HISTORY TEACHER LECTURES ON WORLD WAR I](https://theverseverse.com/poems/as-the-history-teacher-lectures-on-world-war-i) - Original poem written by David Hernandez and interpreted by Prince Ude. Prince Ude is a 3D Designer specializing and combining interests in the different worlds of architecture, art, design and film with a style consisting of bold use of colors and cinematic imagery. His body of work locates creativity at the intersection of humans and - [dry clean it](https://theverseverse.com/poems/dry-clean-it) - By Ronnie Angel Pope x Mieke Marple 2023 Acrylic on canvas 14 x 11 x 1.5 in Photo courtesy Grant Gutierrez -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging - [YOU MUST VISIT HELL TO SEEK THE MASONS OF YOUR FATE](https://theverseverse.com/poems/shades-of-achilles-patroclus-and-hector) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [YOU MUST LET YOURSELF BE SMITTEN BY YOUR BITTERNESS](https://theverseverse.com/poems/vengeance-of-achilles) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [W-A-R Zone](https://theverseverse.com/poems/w-a-r-zone) - By Kalen Iwamoto and Julien Silvano A painting-digital screen diptych, W-A-R Zone is a conceptual and visual poem inscribed on Satoshi Nakamoto’s Bitcoin whitepaper. The form generated through the process of blacking out the text zone delineated by the letters W-A-R embodies the wartime suppression and mutilation of culture and innovation. The painting of this - [Seed Words](https://theverseverse.com/poems/seed-words) - A collaboration between conceptual writer Kalen Iwamoto, artist Julien Silvano, and Mother Nature, “Seed Words” is a conceptual poetry artwork that leaves to the vagaries of Nature the successful completion of a technological operation. The NFT’s poem was created from an Ethereum seed phrase, in the original order with three missing words, represented by the - [#XTZ](https://theverseverse.com/poems/tez) - #XTZ (2022, Edition of 1) Part of the Hashtagraphy diptych, #XTZ is a patchwork poem culled from Twitter using the hashtag XTZ. Minted on the Tezos blockchain. Text by Kalen Iwamoto. Visual and music by musician and visual artist Julien Silvano. Debuted at the Digital Francisco Carolinum Museum in CryptoVoxels on April 1, 2022. #XTZ - [MAINLAND](https://theverseverse.com/poems/mainland) - MAINLAND is an original poem written by Julie Marie Wade and interpreted by Rose Jackson. Rose is an Australian textile and digital artist. She uses traditional wet felting methods to hand make wool felt, from which she creates a range of digital artworks combining those physical felt artworks with animation and GAN. Inspired by her - [AVAIL](https://theverseverse.com/poems/avail) - AVAIL is an original poem written by Julie Marie Wade and interpreted by Layla Pizarro. Pizarro is a multidisciplinary artist based in Chile. Her practice bridges two distinct realms: figurative realism and non-representational abstraction. Her works are a reflection of her days and her experiences, ranging from analog and digital painting to digital and experimental - [ANSWER (TYPOGRAPHY)](https://theverseverse.com/poems/answer) - ANSWER (TYPOGRAPHY) is an original poem written by Julie Marie Wade and interpreted by Layla Pizarro. Pizarro is a multidisciplinary artist based in Chile. Her practice bridges two distinct realms: figurative realism and non-representational abstraction. Her works are a reflection of her days and her experiences, ranging from analog and digital painting to digital and - [A GIFT](https://theverseverse.com/poems/a-gift) - A GIFT is an original poem written by Julie Marie Wade and interpreted by Rose Jackson. Rose is an Australian textile and digital artist. She uses traditional wet felting methods to hand make wool felt, from which she creates a range of digital artworks combining those physical felt artworks with animation and GAN. Inspired by - [SEX](https://theverseverse.com/poems/sex) - SEX is a poem by Guggenheim fellow Denise Duhamel, published exclusively by theVERSEverse, and visually interpreted by Cuban artist Marlon Portales. Portales graduated from Havana’s Higher Institute of Art (ISA) with honors. His practice is multidisciplinary and includes diverse media, such as painting, installation, video art, photography, performance and NFTs. His views in the fields - [INDEPENDENCE DAY (HOSPICE)](https://theverseverse.com/poems/independence-day) - INDEPENDENCE DAY (HOSPICE) is a poem by Guggenheim fellow Denise Duhamel, published exclusively by theVERSEverse, and visually interpreted by Cuban artist Marlon Portales. Portales graduated from Havana’s Higher Institute of Art (ISA) with honors. His practice is multidisciplinary and includes diverse media, such as painting, installation, video art, photography, performance and NFTs. His views in - [FUNERAL HAIKU](https://theverseverse.com/poems/funeral-haiku) - FUNERAL HAIKU is a series of original haikus written by Denise Duhamel and visually interpreted by Vanessa Coleman. Duhamel is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, a Distinguished University Professor in the MFA program at Florida International University in Miami and the author of many beloved - [CAPITALISM](https://theverseverse.com/poems/capitalism) - CAPITALISM forms part of Guggenheim fellow Denise Duhamel's inaugural collection for theVERSEverse, interpreted by artist Nathaniel Stern. Stern is an awkward artist, writer, and teacher who likes awkward art, writing, and students. He is a Fulbright, NSF, and NEA grant recipient, a Professor of Art, Engineering, and Entrepreneurship at the University of Wisconsin-Milwaukee, and an - [BOTOX DEMONSTRATION](https://theverseverse.com/poems/botox-demonstration) - Botox Demonstration (2021, Edition of 1) BOTOX DEMONSTRATION forms part of CRUISE ITINERARY HAIKU, a two-part poem written by Guggenheim fellow Denise Duhamel and interpreted by artist Vanessa Coleman. Vanessa Coleman is a interdisciplinary artist & poet, creating emotive collages & poetry with empowering and sometimes raw feminist undertones. Initially creating analog collage works in - [BELLY CONTEST](https://theverseverse.com/poems/belly-contest-botox-demonstration) - Belly Contest (2021, Edition of 1) BELLY CONTEST forms part of CRUISE ITINERARY HAIKU, a two-part poem written by Guggenheim fellow Denise Duhamel and interpreted by artist Vanessa Coleman. Vanessa Coleman is a interdisciplinary artist & poet, creating emotive collages & poetry with empowering and sometimes raw feminist undertones. Initially creating analog collage works in - [LOVE©](https://theverseverse.com/poems/love) - LOVE© is a poem written by Campbell McGrath and visually interpreted by ROBNESS (V2). McGrath has received numerous literary prizes for his work, including the Kingsley Tufts Award, a Guggenheim Fellowship, a MacArthur Fellowship, a USA Knight Fellowship, and a Witter-Bynner Fellowship from the Library of Congress. His poetry has appeared in the New Yorker, - [HISTORICAL DUST](https://theverseverse.com/poems/historical-dust) - Historical Dust (2022, Edition of 1) Poem by David Hernandez visually interpreted by Akosua (pronounced ‘A-koss-ya) Viktoria Adu-Sanyah alias Ava Silvery. The piece is based on digitally manipulated declassified public domain footage from nuclear weapon tests recorded in the 1950s. Ava Silvery is an internationally exhibited and published German-Ghanaian visual artist and documentary photographer based - [CANOEING TIME, 1992](https://theverseverse.com/poems/canoeing-time-1992-an-illustrated-poem) - Canoeing Time, 1992 - an illustrated poem (Edition of 1, 2021) A half-remembered, half-invented childhood. This illustrated poem is a dream fable from real events, part unreliably remembered childhood and part trauma, overly remembered. The writer and artist combine to weave a new world from fragments of the past. Written by Jonathan Mann and illustrated - [VOICE GEMS ASTROPOETICON (DESTINATION IN UNCERTAINTY) ](https://theverseverse.com/poems/voice-gems-astropoeticon-destination-in-uncertainty) - By Herbert W. Franke, Harry Yeff (Reeps100) & Trung Bao 1979/2021 In 2021, Herbert W. Franke and Harry Yeff started a conversation about the concept of VOICE GEMS and an audio-visual collaboration. Franke suggested using the lyrics of ASTROPOETICON because they are a minimalist and associative approach to language that could have been created by - [bewildered with stars](https://theverseverse.com/poems/bewildered-with-stars) - by Franny Choi x Alida Sun 2023. “bewildered with stars” is an excerpt from a poem written by Franny Choi, reimagined as a generative audiovisual installation created by artist & technologist Alida Sun. The artwork is a multi-sensory meditation on migration and nature, exploring the concepts in various dimensions. Sun transforms Choi’s poetry via programming - [room](https://theverseverse.com/poems/room) - room (2022, Edition of 1) "room" is a spoken-word video poem written by Ana Maria Caballero with original visuals by Joëlle. The piece was created using a waveform of Ana's voice reciting the poem, then processing it and adding fx that hint at floor plans and room-shaped forms. Interconnected boxes appear and disappear, coming and - [2022 #1, Folio 3](https://theverseverse.com/poems/2022-1-folio-3) - By Dianna Frid x Victoria Chang This piece is one of three NFT manifestations of the printed Broadsheet called “2022 # 1.” This is Folio 3 Victoria Chang and Dianna Frid share an interest in the obituary form and its potentials. In June 2022, they were invited to present a performance lecture for Dia Art - [2022 #1, Folio 2](https://theverseverse.com/poems/2022-1-folio-2) - By Dianna Frid x Victoria Chang This piece is one of three NFT manifestations of the printed Broadsheet called “2022 # 1.” This is Folio 2 Victoria Chang and Dianna Frid share an interest in the obituary form and its potentials. In June 2022, they were invited to present a performance lecture for Dia Art - [2022 #1, Folio 1](https://theverseverse.com/poems/2022-1-folio-1) - By Dianna Frid x Victoria Chang This piece is one of three NFT manifestations of the printed Broadsheet called “2022 # 1.” This is Folio 1 Victoria Chang and Dianna Frid share an interest in the obituary form and its potentials. In June 2022, they were invited to present a performance lecture for Dia Art - [2022 #1](https://theverseverse.com/poems/2022-1) - By Dianna Frid x Victoria Chang 2022 11 x 14 inches Victoria Chang and Dianna Frid have a shared interest in the obituary form and its potentials. In June 2022, they were invited to present a performance lecture for Dia Art Foundation's Poetry& series. For the event, Chang wrote the poem featured in the broadsheet, - [The Beginning is Feminine: womanhood](https://theverseverse.com/poems/the-beginning-is-feminine-womanhood) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: wilderness](https://theverseverse.com/poems/the-beginning-is-feminine-wilderness) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: water](https://theverseverse.com/poems/the-beginning-is-feminine-water) - Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling the - [The Beginning is Feminine: spark](https://theverseverse.com/poems/the-beginning-is-feminine-spark) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: revelation](https://theverseverse.com/poems/the-beginning-is-feminine-revelation) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: renewal](https://theverseverse.com/poems/the-beginning-is-feminine-renewal) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: of gods](https://theverseverse.com/poems/the-beginning-is-feminine-of-gods) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: future](https://theverseverse.com/poems/the-beginning-is-feminine-future) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: invisible](https://theverseverse.com/poems/the-beginning-is-feminine-invisible) - By Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling - [The Beginning is Feminine: alive](https://theverseverse.com/poems/the-beginning-is-feminine-alive) - Tina Chang x Emily Edelman The Beginning is Feminine is a visual interpretation of Tina Chang’s poem by the same name. Arranged by stanza in a series of 10 works, the text of the poem warps and wraps around primal shapes. Viewers are encouraged to tilt their head in syncopation with the edges, feeling the - [ANOTHER SUMMER OF LOVE](https://theverseverse.com/poems/another-summer-of-love) - ANOTHER SUMMER OF LOVE forms part of Guggenheim fellow Denise Duhamel's inaugural collection for theVERSEverse, interpreted by artist Natalie Larrodé. Larrodé is a figurative and neo-figurative artist interested in drawing, oil painting, digital art, and their intersections. ANOTHER SUMMER OF LOVE is also part of the HANDHELD POEMS collection, a limited edition video print series - [#ETH](https://theverseverse.com/poems/eth-2) - #ETH (2022, Edition of 1) Part of the Hashtagraphy diptych, #ETH is a patchwork poem culled from Twitter using the hashtag ETH. Minted on the Ethereum blockchain. Text by Kalen Iwamoto. Visual and music by musician and visual artist Julien Silvano. Debuted at the Digital Francisco Carolinum Museum in CryptoVoxels on April 1, 2022. --- - [EDEN Stories](https://theverseverse.com/poems/eden-stories) - EDEN Stories EDEN Stories is a telematic narrative in several seasons, published online, by episodes, in the form of NFT (tokenized editions). The work also takes the form of installations that can include one or more Minitels (tangible editions). First season (3615 Gleeden) During the first season, Eden is looking for a man on a - [MARIO](https://theverseverse.com/poems/mario) - MARIO (2022, Edition of 1) "Although I'm familiar with this iconic and beloved video game character, I have never played any Super Mario game. I have always wondered what could be the back story of this character and if he was actually happy with his portrayal of an Italian plumber. MARIO explores my personal obsessions - [The Engine of Laputa](https://theverseverse.com/poems/the-engine-of-laputa) - ‘The Engine of Laputa’ by Christian Bök constitutes a handwritten replication of a tablet, illustrated by Lemuel Gulliver in his second edition of Book 3 from ‘Travels into Several Remote Nations of the World’ (1726). Gulliver visits the domain of Laputa, where an inventor shows him a mechanism made from a large array of dice, - [Grand Dessein 4](https://theverseverse.com/poems/grand-dessein-4) - Commissioned by the late Jenni Baker for Container (acontainer.co) as part of their Multitudes series, Grand Dessein is a Rolodex card file repurposed into a meditation on the poetics of “found-ness”. The 280 cards create a recursive surreal juxtaposition of found poems and poetics from the diaries of Paul Klee on the nature of art - [The Wish](https://theverseverse.com/poems/the-wish) - The Wish is a book that contains one single poem titled, “The Wish,” printed 197 times in its pages. When taken as integers, the digits in 197 add up eventually to 8, a number that represents abundance. This poem is from Caballero’s prize-winning manuscript Mammal and was originally published by the South Dakota Review. Only - [Grand Dessein 1](https://theverseverse.com/poems/grand-dessein-1) - By Lillian-Yvonne Bertram and commissioned by the late Jenni Baker for Container (acontainer.co) as part of their Multitudes series, Grand Dessein is a Rolodex card file repurposed into a meditation on the poetics of “found-ness”. The 280 cards create a recursive surreal juxtaposition of found poems and poetics from the diaries of Paul Klee on - [Grand Dessein mp4](https://theverseverse.com/poems/6145-2) - This video links together all the gifs from the GRAND DESSEIN project, 1 through 5. By Lillian-Yvonne Bertram and commissioned by the late Jenni Baker for Container (acontainer.co) as part of their Multitudes series, Grand Dessein is a Rolodex card file repurposed into a meditation on the poetics of “found-ness”. The 280 cards create a - [Grand Dessein 3](https://theverseverse.com/poems/grand-dessein-3) - By Lillian-Yvonne Bertram and commissioned by the late Jenni Baker for Container (acontainer.co) as part of their Multitudes series, Grand Dessein is a Rolodex card file repurposed into a meditation on the poetics of “found-ness”. The 280 cards create a recursive surreal juxtaposition of found poems and poetics from the diaries of Paul Klee on - [Filling Monospaces](https://theverseverse.com/poems/filling-monospaces) - 2023. Poem objects created from a series of out-of-print books from 1958 that were part of a seminar on art from the Met. Kerr has removed the original loose art prints that each book contained in a front sleeve, and replaced them with prints of her own art – in dialogue with the subject and - [Grand Dessein 2](https://theverseverse.com/poems/grand-dessein-2) - Commissioned by the late Jenni Baker for Container (acontainer.co) as part of their Multitudes series, Grand Dessein is a Rolodex card file repurposed into a meditation on the poetics of “found-ness”. The 280 cards create a recursive surreal juxtaposition of found poems and poetics from the diaries of Paul Klee on the nature of art - [Ancient Binary: Ars Technica](https://theverseverse.com/poems/ancient-binary-ars-technica) - A physical canvas from the ongoing series ANCIENT BINARY, which seeks to archive traces of the earliest traces of human imagination. Exhibited in “Ars Poetica Cybernetica” (2020) and “Poeme Objkt” (2022). 2019 36” x 36” Oil, acrylic, binary code, epoxy on canvas -- Featured in POÈME SBJKT, an exhibition of works of literature both on - [Poetic Book Structures](https://theverseverse.com/poems/poetic-book-structures) - 2011-14. A book is a mechanism of moving parts designed to deliver a story: a beginning, a winding middle, a close. The books in this series tell a story of mystery and surprise; they beg to be held and then uncovered. Text won’t be found in most of these, but each will offer a tiny - [Bibliomechanics](https://theverseverse.com/poems/bibliomechanics) - Bibliomechanics is “bookish artware,” consisting of 27 Rubik's cubes, stacked together into a block (3 × 3 × 3) so as to create the kind of pataphysical writing-machine described by Jonathan Swift in The Voyage to Laputa — “a project for improving speculative knowledge by […] mechanical operations” so that, by such a “contrivance[,] the - [Word Caresser + Your Touch / My Tongue](https://theverseverse.com/poems/word-caresser-your-touch-my-tongue) - 2022. The Word Caresser series combines Braille with poetry to create a multi-layered reading experience that engages with the physicality of written ideas. Through these poem-objects, Lobo aims to convey the ambiguity that lives in poetry and highlight the power of words to create emotional and physical connections. The series is an invitation to touch - [(Vérité nécessaire), (Discours abstrait), (Addition et sa représentation)](https://theverseverse.com/poems/verite-necessaire-discours-abstrait-addition-et-sa-representation) - 2022. Photographic blow-up White melamine 130 x 90 cm -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME SBJKT was curated by theVERSEverse - [Unreleased](https://theverseverse.com/poems/unreleased) - 2023. Purified beeswax, damar resin and found materials (plastic netting and twine) on wooden canvas. 20cm x 20cm x 1.75cm This object poem envisions our future cities. Commissioned by the UK National Poetry Library in 2022 and exhibited there in March 2023. -- Featured in POÈME SBJKT, an exhibition of works of literature both on - [Sorting yarn](https://theverseverse.com/poems/sorting-yarn) - 2023. Purified beeswax, damar resin and found materials (plastic netting and twine) on wooden canvas. 20cm x 20cm x 1.75cm This object poem envisions our future cities. Commissioned by the UK National Poetry Library in 2022 and exhibited there in March 2023. -- Featured in POÈME SBJKT, an exhibition of works of literature both on - [The House of Dust](https://theverseverse.com/poems/the-house-of-dust) - 1967/2023. The House of Dust, by artist Alison Knowles, is one of the first computer generated poems in history. It was coded in FORTRAN for the artist in 1967 by James Tenney. Using the house as a subject, the code generates hundreds of thousands of quatrains randomly sequencing proposals for alternative living. The program combines - [Part-view onlooker](https://theverseverse.com/poems/part-view-onlooker) - 2023. Purified beeswax, damar resin and found materials (plastic netting and twine) on wooden canvas. 20cm x 20cm x 1.75cm This object poem envisions our future cities. Commissioned by the UK National Poetry Library in 2022 and exhibited there in March 2023. --- Featured in POÈME SBJKT, an exhibition of works of literature both on - [Predelle (here) #2](https://theverseverse.com/poems/predelle-here-2) - 2023. Acrylic pencil and felt pen on canvas, 55 × 33 × 2 cm. -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME - [Planted Poems I ](https://theverseverse.com/poems/planted-poems-i) - 2020. Planted Poems I describes the experience of being at the San Francisco Decompression event, a mini Burn gathering that took place around Halloween 2019. The poem’s speaker describes the energy of the night as a wave-like force, flowing against an incoming red tide from the direction of the Pacific Ocean. They see this event - [Dog ear composition. no 5](https://theverseverse.com/poems/dog-ear-composition-no-5) - 2023. The piece included in the exhibition is part of an ongoing series of compositions constructed from paper based on dog ears found in the pages of library books. The artist searches the shelves, scrutinizing the margins of books, to find suitable existing configurations, made by unmet readers, as a starting point for minimal, sculptural - [Anticipatory](https://theverseverse.com/poems/anticipatory) - 2023. Purified beeswax, damar resin and found materials (plastic netting and twine) on wooden canvas. 20cm x 20cm x 1.75cm This object poem envisions our future cities. Commissioned by the UK National Poetry Library in 2022 and exhibited there in March 2023. -- Featured in POÈME SBJKT, an exhibition of works of literature both on - [Open Edition](https://theverseverse.com/poems/open-edition) - Referencing the aesthetic of the artist’s own COMMENT-OUT series from 2021, Kevin Abosch presents his first open-edition artwork, revealing over time how “openness” can be interpreted in different ways. Using game theory mechanics and giving collectors of the work the option to burn their existing NFTs in order to redeem new NFT artworks, the number - [Predelle (poem) #8](https://theverseverse.com/poems/predelle-poem-8) - 2022. Acrylic pencil and felt pen on canvas, 55 × 33 × 2 cm. -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME - [expressioNism](https://theverseverse.com/poems/expressionism) - A collaboration with ART History -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME SBJKT was curated by theVERSEverse in partnership with L’Avant - [ABSTRACTION](https://theverseverse.com/poems/abstraction) - A collaboration with ART history -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME SBJKT was curated by theVERSEverse in partnership with L’Avant - [VISIONARY](https://theverseverse.com/poems/visionary) - A collaboration with Art history -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME SBJKT was curated by theVERSEverse in partnership with L’Avant - [WHAT IS A PAINTING?](https://theverseverse.com/poems/what-is-a-painting) - A collaboration with Art history -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME SBJKT was curated by theVERSEverse in partnership with L’Avant - [COMPOSITION AS PATTERN](https://theverseverse.com/poems/composition-as-pattern) - A collaboration with Art history -- Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to divide. POÈME SBJKT was curated by theVERSEverse in partnership with L’Avant - [POÈME OBJKT/POÈME SBJKT--Exhibition Catalogue](https://theverseverse.com/poems/poeme-objkt-poeme-sbjkt-exhibition-catalogue) - POÈME OBJKT/POÈME SBJKT is the companion anthology to a two-part exhibition — curated jointly by theVERSEverse, L’Avant Galerie Vossen and Librairie Métamorphoses — in which language is both the subject and object of art. This group survey of writers, visual artists, typographical alchemists and creative technologists traces the trajectory of text as it evolves on - [without our presence, the soil breaks down,](https://theverseverse.com/poems/without-our-presence-the-soil-breaks-down) - "without our presence, the soil breaks down," is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the black paintings of the "Potential Herbariums" series, shown during - [and the rocks and the hillsides fall apart.](https://theverseverse.com/poems/and-the-rocks-and-the-hillsides-fall-apart) - "and the rocks and the hillsides fall apart." is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the black paintings of the "Potential Herbariums" series, shown - [the rivers lose their way, and so does our tongue that cannot tell of our deaths.](https://theverseverse.com/poems/the-rivers-lose-their-way-and-so-does-our-tongue-that-cannot-tell-of-our-deaths) - "the rivers lose their way, and so does our tongue that cannot tell of our deaths." is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the - [we think it is because you can't bear to see us rotting away into nothingness.](https://theverseverse.com/poems/we-think-it-is-because-you-cant-bear-to-see-us-rotting-away-into-nothingness) - "we think it is because you can't bear to see us rotting away into nothingness." is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the black - [well, be comforted; we are saying this to you:](https://theverseverse.com/poems/well-be-comforted-we-are-saying-this-to-you) - "well, be comforted; we are saying this to you:" is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the black paintings of the "Potential Herbariums" series, - [you are not what you used to be any more.](https://theverseverse.com/poems/you-are-not-what-you-used-to-be-any-more) - "you are not what you used to be any more." is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the black paintings of the "Potential Herbariums" - [you are dying too.](https://theverseverse.com/poems/you-are-dying-too) - "you are dying too." is part of a series of seven works written with aurèce vettier's AI-generated, latent botanist writing. The assembly of the seven works reconstitutes "without our presence, the soil breaks down", a poem that serves as a thread for the black paintings of the "Potential Herbariums" series, shown during the exhibition POÈME - [Visitation](https://theverseverse.com/poems/visitation) - 2023. Looping mp4 + microfiction as vinyl wall text 2048 x 2048 px At what point does the language artist become a language model and vice-versa? And what new skills must the artist develop as they co-evolve in a creative work environment where maintaining a playful and dynamic relationship with the rapid technical maneuvering of - [Omega](https://theverseverse.com/poems/omega) - 2023. Acrylic, Oil Stick, Graphite, Charcoal, Sand, Silver, and 24k Gold on Linen. 40 cm x 50 cm Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to - [Alpha](https://theverseverse.com/poems/alpha) - 2023. Acrylic, Oil Stick, Graphite, Charcoal, Sand, Silver, and 24k Gold on Linen. 40 × 50 cm. Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to - [Lettre de ma mère](https://theverseverse.com/poems/lettre-de-ma-mere) - 1987 Computer plotter drawing on paper "My mother had a pretty writing; A bit gothic also a bit hysterical. At the beginning of each line, on the left side, the writing was regular, strict, gothic, but as the line progressed towards the side of the page, it became more and more nervous, worried, almost hysterical. - [ang pangalan mo ay Bughaw](https://theverseverse.com/poems/ang-pangalan-mo-ay-bughaw) - 2021-present 9 asemic poems bottled in glass jars 12x7x6cm each Glass jars, A3 paper and blue ink Featured in POÈME SBJKT, an exhibition of works of literature both on and off the blockchain that enhance, reinvent, and reimagine the relationship between text and image, analog and digital, blurring and challenging the lines that seek to - [GPT-2 After Sol LeWitt](https://theverseverse.com/poems/gpt-2-after-sol-lewitt) - Heavily inspired by the rule-based work of Sol LeWitt- Robbie Barrat used GPT-2, OpenAI's language generation model, to generate text describing the rules of a drawing, which Barrat then follows to write a generative sketch, mirroring the mechanic of how Sol LeWitt's rule cards were executed into wall drawings. Work completed in September 2019. -- - [Mark of Help](https://theverseverse.com/poems/mark-of-help) - 2022. Even 256 characters of stand-alone code can endlessly generate an erratic text reflecting on the Python programming language itself. The Mark of Help program itself is free software, and the same for all broadsides. Everyone is invited to study it to determine how it works — and to do anything else with it. Fifty - [Grand Dessein 5](https://theverseverse.com/poems/grand-dessein-5) - By Lillian-Yvonne Bertram and commissioned by the late Jenni Baker for Container (acontainer.co) as part of their Multitudes series, Grand Dessein is a Rolodex card file repurposed into a meditation on the poetics of “found-ness”. The 280 cards create a recursive surreal juxtaposition of found poems and poetics from the diaries of Paul Klee on - [above the hill a comet](https://theverseverse.com/poems/above-the-hill-a-comet) - AI-generated poem, hammered on stainless steel sheet. 100 cm x 60 cm AV-2022-U-315 Photo J.L. Losi Curated for the Poème Sbjkt exhibition at Librairie Métamorphoses, Paris (May 25 - July 15, 2023). Contact Librairie Métamorphoses for purchasing inquiries. - [Matrix/Ground](https://theverseverse.com/poems/matrix-ground) - 2014. Acrylic resin, height of 10 cm, variable dimensions. Edition 3 of 8. Photo A. Greuzat Curated for the Poème Sbjkt exhibition at Librairie Métamorphoses, Paris (May 25 - July 15, 2023). - [FIFTY DAYS AT ILIAM](https://theverseverse.com/poems/fifty-days-at-iliam-christian-bok) - Christian Bök has prompted Sudowrite to compose ten lines of poetry, each line derived from the title of a painting in the series, 'Fifty Days at Iliam' by Cy Twombly. Sarah Ridgley has then used her own algorithm to repeat each of these outputs in the form of handwritten flourishes. - [Ardea Alba Egreta](https://theverseverse.com/poems/ardea-alba-egreta) - POESIA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest – political, economic, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta - [CHAISE](https://theverseverse.com/poems/chaise) - [MOTHER LOVE](https://theverseverse.com/poems/mother-love) - [I LOVE YOU TO THE DEATH OF ME](https://theverseverse.com/poems/i-love-you-to-the-death-of-me) - [WHEN WE RETURN TO THE PLACE OF BEGINNINGS](https://theverseverse.com/poems/when-we-return-to-the-place-of-beginnings) - [A VILLANELLE OF COINCIDENCE](https://theverseverse.com/poems/a-villanelle-of-coincidence) - [WITHIN THE ZINFANDEL](https://theverseverse.com/poems/within-the-zinfandel) - [I LIKE AUTUMN FOR NO REASON AT ALL](https://theverseverse.com/poems/i-like-autumn-for-no-reason-at-all) - [SONG TO A CHAIR](https://theverseverse.com/poems/song-to-a-chair) - [LIKE A MAHARAJAH](https://theverseverse.com/poems/like-a-maharajah) - [A CONTRARY DESIRE](https://theverseverse.com/poems/a-contrary-desire) - [THINGS THAT HAPPEN THAT DON'T HAPPEN TO OTHER PEOPLE](https://theverseverse.com/poems/things-that-happen-that-dont-happen-to-other-people) - [THE ALCHEMIST](https://theverseverse.com/poems/the-alchemist) - [CHARTREUSE](https://theverseverse.com/poems/chartreuse) - [LIKE CHAMPAGNE](https://theverseverse.com/poems/like-champagne) - [YOU SPEND YOUR TURN (TO OTHER THINGS)](https://theverseverse.com/poems/you-spend-your-turn-to-other-things) - [IN A NOVEL WE WANT VERISIMILITUDE](https://theverseverse.com/poems/in-a-novel-we-want-verisimilitude) - [LOOK AT THIS MOMENT](https://theverseverse.com/poems/look-at-this-moment) - [A CHILDHOOD](https://theverseverse.com/poems/a-childhood) - A CHILDHOOD is a poem written by Peter Mishler and visually interpreted by Michael Hughes. Mishler’s debut collection of poems is Fludde, winner of the Kathryn A. Morton Prize in Poetry from Sarabande Books. Also the author of a book of reflections on public school teaching from Andrews McMeel/Simon and Schuster. -- A CHILDHOOD My - [Artificial Intelligence](https://theverseverse.com/poems/artificial-intelligence) - Words organically embedded on monoliths drifting into space and bearing the marks of asteroid impacts. ARTIFICIAL INTELLIGENCE is part of the HANDHELD POEMS collection, a limited edition video print series by theVERSEverse and Infinite Objects, in partnership with Studio As We Are. Editions of 12. - [Esclavo de Dos Amos](https://theverseverse.com/poems/esclavo-de-dos-amos) - POESÍA DE PROTESTA is an exhibition featuring 10 Spanish poems written by Hispanic women. The texts all express a form of protest–political, economical, sexual, or social. Each poem has been interpreted by a visual artist, with curation by Cuban historian and art professor Gladys Garrote. POESÍA DE PROTESTA es una exposición que presenta 10 poemas - [TRANSLATING TRANSLATING APOLLINAIRE — GALLIFREYAN](https://theverseverse.com/poems/translating-translating-apollinaire-gallifreyan) - TRANSLATING TRANSLATING APOLLINAIRE — GALLIFREYAN (2021, Edition of 1) The Canadian poet, bpNichol, once strove to translate the modern, French poem, ‘Zone’ (by Guillaume Apollinaire), but after failing to do so adequately, bpNichol decided to apply a series of procedural variations to his original drafting of the work, translating his translation (so to speak), revising it - [THISANDTHAT](https://theverseverse.com/poems/thisandthat) - We are constantly letting go of This and letting go of That. Sometimes these are emotions, ideas, matter... Yet we are constantly changing, building and shedding. Whether we want to or not we are always letting go of this and letting go of that. Which in turn functions as a powerful mantra. - [OF YELLOW](https://theverseverse.com/poems/of-yellow) - OF YELLOW (2022, Edition of 1) Of Yellow is a polychromatic transcription of the sonnet 'Voyelle' by Arthur Rimbaud. Vowels have been replaced with blocks of colour according to the schema described in the sonnet itself: 'A noir, E blanc, I rouge, U vert, O bleu: voyelles.' All other letters, commas, and spaces are grey. - [we are the trees and we are alive underground](https://theverseverse.com/poems/we-are-the-trees-and-we-are-alive-underground) - This artwork is from a series of 5 poems from French artist collective aurèce vettier, all beginning with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the - [TEXT IN TIME](https://theverseverse.com/poems/text-in-time) - Letters shift to form words. Words connect to form meaning. Meaning thrives within context. Context is null without time. A text-based photograph; deeply influenced by the poetic, ai, asemic & generative movements ignited within TheVerseVerse. Captured in-camera under the glow of Time Square NYC. - [INCOME V](https://theverseverse.com/poems/income-v) - INCOME V (2021, Edition of 1) GIF image, 640 x 640 pixels, 1/1 Pierre Gervois is an NYC based crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose - [NEWLY ABRIDGED HAPPINESS MANUAL, VOL I](https://theverseverse.com/poems/newly-abridged-happiness-manual-vol-i) - NEWLY ABRIDGED HAPPINESS MANUAL, VOL I (Edition of 1, 2022) Newly Abridged Happiness Manual, Vol I is a conceptual poem that explores the tension between time and mind, between what we tell ourselves and what our thoughts tell us. Our emotional states are underpinned by the unspoken words that traverse our minds as thought. To - [Metareality](https://theverseverse.com/poems/metareality) - Metareality is a video creation generated using AI, and based on the Marcos de la Fuente poem with the same name and inspired in New York City style. This piece is the first collaboration between TheVERSEverse and the Poetry+AI=Art collective. The piece is a video of 3:07 min duration, where each verse of the Metareality - [Poetry Is My Playground](https://theverseverse.com/poems/poetry-is-my-playground) - Words are my blocks, and verses my playmates. I dance at the rhythm of syllables and swing with the meaning as I discover it. Poetry Is My Playground, and the poem is my game. A poem is a work of art, and I am the one that plays, learns, creates, and discovers. Play with this - [LUCKY](https://theverseverse.com/poems/lucky) - LUCKY ( Edition of 1, 1999) Between 1999 and 2004, Nathaniel Stern produced dozens of media-rich poetry pieces – released as net.art, interactive installations, video sculptures, and more – all of which which culminated in his first, large-scale solo museum exhibition: The Storytellers, at the Johannesburg Art Gallery. Here, stories and characters unfold from what is - [AFTERNOON POSTSCRIPT](https://theverseverse.com/poems/afternoon-postscript) - Afternoon Postscript (2021, Edition of 1) An asemic poem by artist Sarah Ridgley, a generative artist and poet working with computer code. Her work focuses on exploring the space between the hand-drawn and the computer-drawn, and on blurring those boundaries. She uses Processing (p5js) and JavaScript to build her programs, and designs her own algorithmic - [NOT TALKING ABOUT YOU](https://theverseverse.com/poems/not-talking-about-you) - Not Talking About You (2021, Edition of 1) Data scraped from the artist’s private communications and news feeds between 2020-2021 inform a series of 511 works that speak to this period while dissecting our value systems. In yellow and black, nature’s warning colors, each work is a poem manifested within the physical constraint of the - [BLANK QUOTE](https://theverseverse.com/poems/blank-quote) - Blank Quote (2021, Edition of 1) A concrete poem by Merchant Coppola, whose work explores words, symbols, and their (non)meaning. He is fascinated with literature and short text formats, such as kitschy pop songs, advertisement, dada, toxic motivational quotes, useful nonsense, found texts, and errors. - [CURSIVE BINARY: LEGACY](https://theverseverse.com/poems/cursive-binary-legacy) - Cursive Binary: Legacy (2021, Edition of 1) A multimedia palimpsest in which human verse is embedded in its transhuman translation. Based on a poem from Stiles’ book Technelegy, with original music by Kris Bones. LEGACY What will humans look like in a hundred thousand years? Our deep descendants will be nothing like us, think nothing - [FLORALGORITHM](https://theverseverse.com/poems/floralgorithm) - Floralgorithm (2021, Edition of 1) A transhuman collaboration between Sasha Stiles and her AI alter ego, Technelegy, a custom generative text tool mentored on her writing and research materials. Based on a poem from Stiles’ book Technelegy, with original music by Kris Bones. Available to collect on Foundation. -- FLORALGORITHM Wildflowers dream wild dreams. They - [BLANK THOUGHT](https://theverseverse.com/poems/blank-thought) - Blank Thought (2021, Edition of 1) jpg, 3000x3000px, 0.229mb - [UBU HUBBUB](https://theverseverse.com/poems/ubu-hubbub) - UBU HUBBUB (2022, Edition of 1) UBU HUBBUB pays homage to Ubu Roi (the pea-brained, pot-bellied dictator, made famous by the French writer Alfred Jarry). The Dadaist collage depicts a work of phonic poetry — the score for an "imperial decree" that documents the nonsense in the tirade spoken by such an absurd tyrant. You - [OEDIPUS](https://theverseverse.com/poems/oedipus) - OEDIPUS (1999, Edition of 1) Between 1999 and 2004, Nathaniel Stern produced dozens of media-rich poetry pieces - released as NET.ART, interactive installations, and video sculptures - all of which which culminated in his first solo museum exhibition: The Storytellers, at the Johannesburg Art Gallery. Here, stories and characters unfold mostly from what is not - [GUESSING GAME](https://theverseverse.com/poems/guessing-game) - Guessing Game (2021, Edition of 1) A spoken word, media-rich poem by award-winning poet Ana Maria Caballero. From her new manuscript, MAMMAL, which explores how biology delimits cultural rites. Her signature, straightforward verse gives voice to what's left unsaid in that all-important space of home. Available to collect on Foundation. - Guessing Game A child - [INCOME VI](https://theverseverse.com/poems/income-vi) - INCOME VI (2021), GIF image, 640 x 640 pixels, 1/1. Pierre Gervois is an NYC based crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose their meaning should - [INCOME III](https://theverseverse.com/poems/income-iii) - INCOME III (2021, Edition of 1) GIF image, 640 x 640 pixels, 1/1. Pierre Gervois is an NYC based crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose - [LATCH](https://theverseverse.com/poems/latch) - A spoken word, media-rich poem by award-winning poet Ana Maria Caballero. From her new manuscript, MAMMAL, which explores how biology delimits cultural rites. Her signature, straightforward verse gives voice to what’s left unsaid in that all-important space of home. Available to collect on OBJKT. – Latch Life latches The host succumbs Collapsed in sleep Gravity - [THE GARDEN OF FORKING PATHS — MONOCHROME](https://theverseverse.com/poems/the-garden-of-forking-paths-monochrome) - THE GARDEN OF FORKING PATHS — MONOCHROME (2021, Edition of 1) Jorge Luis Borges in ‘The Garden of Forking Paths’ imagines a novel as ‘a labyrinth of labyrinths,’ whose complexity verges on the Infinite, encompassing the entirety of the Universe itself in ‘an invisible labyrinth of time.’ Each passage branches off into ‘diverse futures,’ all concurrent - [SENSE OF HUMOR](https://theverseverse.com/poems/sense-of-humor) - A spoken word, media-rich poem by multiple award-winning poet Ana Maria Caballero. From Caballero’s new manuscript, MAMMAL, which explores how biology delimits cultural rites and was designated as a Manuscript of Exceptional Merit by Tupelo Press. Her signature, straightforward verse gives voice to what’s left unsaid in that all-important space of home. – Sense of - [POLYPHONY](https://theverseverse.com/poems/polyphony) - Polyphony (2021, Edition of 1) ‘Polyphony’ is a pastoral idyll, written according to a Herculean constraint, in which the author, Christian Bök, has limited himself to using only the repertoire of letters (and symbols), accessible to his right hand when typing, by touch, on the QWERTY keyboard of a mechanical typewriter. Christian Bök has, in - [we are the trees and we compress our hearts](https://theverseverse.com/poems/we-are-the-trees-and-we-compress-our-hearts) - This artwork is from a series of 5 poems from French artist collective aurèce vettier, all beginning with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the - [TRANSMISSION](https://theverseverse.com/poems/transmission) - A poem by award-winning poet Ana Maria Caballero that explores the meaning behind the sounds that together compose our most frequently used words--our names. A longer version of this poem was originally published by Gigantic Sequins Literary Journal and is part of Caballero's manuscript MAMMAL, designated as a Manuscript of Exceptional Merit by Tupelo Press. - [POINTILLISM](https://theverseverse.com/poems/pointillism) - Pointillism (2021, Edition of 1) A spoken word, media-rich poem by award-winning poet Ana Maria Caballero. From Caballero's new manuscript, MAMMAL, which explores how biology delimits cultural rites. Her signature, straightforward verse gives voice to what's left unsaid in that all-important space of home. - Pointillism Not the life I dreamed is not an effective - [CURSIVE BINARY: TECHNELEGY](https://theverseverse.com/poems/cursive-binary-technelegy) - Cursive Binary: Technelegy (2021, Edition of 1) A love poem for the digital age, fusing the zero-one rhythms of binary code with the pulsing heartbeat of elegiac couplets. Based on the title poem from Stiles’ book Technelegy, with original music by Kris Bones. TECHNELEGY Binary me, you said, querying. Your infinite zero. My steadfast one. - [CURSIVE BINARY: PORTRAIT OF THE POET AS A BRIEF HISTORY OF HUMANITY](https://theverseverse.com/poems/theverseverse-com) - Cursive Binary: Portrait of the Poet as a Brief History of Humanity (2021, Edition of 1) A multimedia palimpsest in which human verse is tethered to its transhuman translation. Based on a poem from Stiles’ book Technelegy, with original music by Kris Bones. PORTRAIT OF THE POEM AS A BRIEF HISTORY OF HUMANITY Yes, I - [MORNING ADDENDUM](https://theverseverse.com/poems/morning-addendum) - Morning Addendum (2021, Edition of 1) An asemic poem by artist Sarah Ridgley, a generative artist and poet working with computer code. Her work focuses on exploring the space between the hand-drawn and the computer-drawn, and on blurring those boundaries. She uses Processing (p5js) and JavaScript to build her programs, and designs her own algorithmic - [MIDNIGHT CONFESSION](https://theverseverse.com/poems/midnight-confession) - Midnight Confession (2021, Edition of 1) An asemic poem by artist Sarah Ridgley, a generative artist and poet working with computer code. Her work focuses on exploring the space between the hand-drawn and the computer-drawn, and on blurring those boundaries. She uses Processing (p5js) and JavaScript to build her programs, and designs her own algorithmic - [EPILOGUE](https://theverseverse.com/poems/epilogue) - Epilogue (2021, Edition of 1) An asemic poem by artist Sarah Ridgley, a generative artist and poet working with computer code. Her work focuses on exploring the space between the hand-drawn and the computer-drawn, and on blurring those boundaries. She uses Processing (p5js) and JavaScript to build her programs, and designs her own algorithmic brushes - [BLANK BELIEF](https://theverseverse.com/poems/blank-belief) - Blank Belief (2021, Edition of 1) A concrete poem by Merchant Coppola, whose work explores words, symbols, and their (non)meaning. He is fascinated with literature and short text formats, such as kitschy pop songs, advertisement, dada, toxic motivational quotes, useful nonsense, found texts, and errors. - [BLANK STATEMENT](https://theverseverse.com/poems/blank-statement) - Blank Statement (2021, Edition of 1) A concrete poem by Merchant Coppola, whose work explores words, symbols, and their (non)meaning. He is fascinated with literature and short text formats, such as kitschy pop songs, advertisement, dada, toxic motivational quotes, useful nonsense, found texts, and errors. - [BLANK TONGUE](https://theverseverse.com/poems/blank-tongue) - Blank Tongue (2021, Edition of 1) A concrete poem by Merchant Coppola, whose work explores words, symbols, and their (non)meaning. He is fascinated with literature and short text formats, such as kitschy pop songs, advertisement, dada, toxic motivational quotes, useful nonsense, found texts, and errors. - [BLANK ONTOLOGY](https://theverseverse.com/poems/blank_ontology) - Blank Ontology (2021, Edition of 1) A concrete poem by Merchant Coppola, whose work explores words, symbols, and their (non)meaning. He is fascinated with literature and short text formats, such as kitschy pop songs, advertisement, dada, toxic motivational quotes, useful nonsense, found texts, and errors. - [RULE BOOK](https://theverseverse.com/poems/rule-book) - Rule Book (2021, Edition of 1) A spoken word, media-rich poem by award-winning poet Ana Maria Caballero. From Caballero's new manuscript, MAMMAL, which explores how biology delimits cultural rites. Her signature, straightforward verse gives voice to what's left unsaid in that all-important space of home. - Rule Book This is the way I cut the - [FRAGMENT 1](https://theverseverse.com/poems/fragment-1) - Fragment 1 (2021, Edition of 1) A unique textblock based on generative text co-authored by Sasha Stiles and her AI alter ego, Technelegy. - [FRAGMENT 5](https://theverseverse.com/poems/fragment-5) - Fragment 5 (2021, Edition of 1) A unique textblock based on generative text co-authored by Sasha Stiles and her AI alter ego, Technelegy. - [FRAGMENT 24](https://theverseverse.com/poems/fragment-24) - Fragment 24 (2021, Edition of 1) A unique textblock based on generative text co-authored by Sasha Stiles and her AI alter ego, Technelegy. - [FRAGMENT 48](https://theverseverse.com/poems/fragment-48) - Fragment 48 (2021, Edition of 1) A unique textblock based on generative text co-authored by Sasha Stiles and her AI alter ego, Technelegy. - [PLAYGROUND](https://theverseverse.com/poems/playground) - Playground (2021, Edition of 1) A spoken word, media-rich poem by award-winning poet Ana Maria Caballero. From Caballero's new manuscript, MAMMAL, which explores how biology delimits cultural rites. Her signature, straightforward verse gives voice to what's left unsaid in that all-important space of home. - Playground time and small children time to think too much - [INCOME I](https://theverseverse.com/poems/income-i) - INCOME I (2021, Edition of 1) GIF image, 640 x 640 pixels, 1/1 Pierre Gervois is an NYC based crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose - [INCOME II](https://theverseverse.com/poems/income-ii-20) - INCOME II (2021, Edition of 1) Pierre Gervois is an NYC based crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose their meaning should they be considered separately. - [INCOME IV](https://theverseverse.com/poems/income-iv) - INCOME IV (2021, Edition of 1) GIF image, 640 x 640 pixels, 1/1 Pierre Gervois is an NYC based crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose - [we are the trees on a new planet, the day after the last human left for the stars](https://theverseverse.com/poems/we-are-the-trees-on-a-new-planet-the-day-after-the-last-human-left-for-the-stars) - This artwork is from a series of 5 poems from French artist collective aurèce vettier, all beginning with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the - [we are the trees on the slopes of vesuvius](https://theverseverse.com/poems/we-are-the-trees-on-the-slopes-of-vesuvius) - This artwork is from a series of 5 poems from French artist collective aurèce vettier, all beginning with the same sentence : « we are the trees ». GPT-3 algorithms were confronted to verses from aurèce vettier’s Elegia Machina (2021), intimate travel memories and description of scents, fragments from J.L. Borges short stories. As the ## Poets - [Ronnie Angel Pope](https://theverseverse.com/poets/ronnie-angel-pope) - Ronnie Angel Pope (b. 1998) is a writer and researcher. Her work has been published by Frieze, ArtMonthly, Yoko Ono, Penguin Random House, (The Man) Repeller, and others. She is the author of “iPhone Notes 2021” which was flagged by the Times Literary Supplement as constituting a “challenge to the ingrained snobbery” of the literary - [Elisabeth Sweet](https://theverseverse.com/poets/elisabeth-sweet) - Elisabeth Sweet is a poet exploring patterns of randomness. Her work searches for the hidden thing which is often the most obvious, that which is seen and felt in stillness. She has exhibited her poetry internationally including group exhibitions in New York City, London, Paris, Tallinn, and Bangkok. Elisabeth self-organized her solo exhibition of PIE - [Katie Dozier](https://theverseverse.com/poets/katie-dozier) - Katie Dozier’s love of poetry first bloomed as a child. She memorized Robert Frost sitting on a tree stump and bathed in Edgar Allan Poe as an adolescent. While studying words at Florida State University, KHD also played with chips and became a professional poker player. She’s passionate about encouraging others to discover and share - [Laura Kerr](https://theverseverse.com/poets/laura-kerr) - Laura Kerr is an award-winning Canadian visual artist and poet. In 2012, she was honoured with a Queen Elizabeth II Diamond Jubilee Medal for her art & continued contributions to art education. She is co-owner of Paradise art, an art school in Winnipeg, Manitoba specializing in classical and contemporary art education where she has taught - [Laurence Fuller](https://theverseverse.com/poets/laurence-fuller) - Laurence Fuller is actor, poet and storyteller. Having recently taken on the role of the iconic British painter David Hockney in the new HBO Max series MINX, as well as feature films and theatre productions, Laurence draws on his classical training in contemporary mediums. His poetry sprung out of his acting journals some years ago - [Gisel Florez](https://theverseverse.com/poets/gisel-florez-3) - Gisel Florez explores the ways in which we are interconnected in this space of existence using manual camera techniques & conceptual practice. Drawing upon traditional still & cinematic methods using a digital 4×5, she incorporates art with immutable technology on various platforms & blockchains. Founder of @OFFONGallery & Co-founder of WOCA (Women of Crypto Art) - [Allen Ginsberg](https://theverseverse.com/poets/allen-ginsberg) - Allen Ginsberg's celebrated poem "Howl," overcame censorship to become one of the more widely read poems of the twentieth century. Expelled from Cuba, and Czechoslovakia, crowned Prague May King, and placed on the FBI's Dangerous Security List all within the same year Ginsberg later traveled to and taught in China, Russia, India, Australia, Latin America, Scandinavia, - [Patricia Echeverria](https://theverseverse.com/poets/patricia-echeverria) - Patricia Echeverria is a Spanish multidisciplinary artist working across visual arts, immersive technologies, social justice, and storytelling, to explore forms of collective, personal liberation, and equity in the machine age. She has previously collaborated on international projects including: a “Public Therapy Tour” across Palestine with AM Qattan Foundation and Matadero Madrid; “Outside In,” a playback - [Martica Minipunto](https://theverseverse.com/poets/martica-minipunto) - Martha Luisa Hernández Cadenas | Martica Minipunto (Cuba, 1991) is a writer and performer who studied at the Universidad de las Artes, ISA. Her Performing Arts processes enhance transdisciplinary and experimental collaborations. Some of her recent creations are: Una ópera china (2018), Las fundadoras (2019) and No soy unicornio (2019-201). She has published Días de hormigas (Ediciones Unión, 2018), Los vegueros (Colección Sureditores, 2019) and La puta y el hurón (Éditions Fra, 2020). She has participated in international programs as Experimenta Sur (Colombia, 2019), Panorama Sur (Argentina, 2019), Festival Sâlmon (Barcelona, 2020), Festival Poesía en Voz Alta, UNAM (México, 2021), Festival Santiago a Mil (Chile, 2021), - [Yolanda Segura](https://theverseverse.com/poets/yolanda-segura) - yolanda segura (Querétaro, 1989) is a lesbian-queer transfeminist writer. She has published four books of poetry, among them “serie de circunstancias posibles en torno a una mujer mexicana de clase trabajadora “(Almadía 2021) “per/so/na” (Almadía, 2019) and “estancias que por ahora tienen luz y se abren hacia el paisaje” (Palíndroma, 2021). She won the Premio - [Andrea Halaby](https://theverseverse.com/poets/andrea-halaby) - Andrea Halaby has published “CIELOBLANCO” a Poetry and Photography book (Clara Fernández (Photography) | Susana Fernández (Edition)). IN MEMORIAM a national award-winning book published by Museo Rayo. MONSTROTERAPIA, a series of 4 children’s books for emotional healing and parental abilities, a project for Fundación Infantil Carla Cristina a non-profit organization. And LA PUERTA DEL LEÓN, - [Legna Rodríguez Iglesias](https://theverseverse.com/poets/legna-rodriguez-iglesias) - Legna Rodríguez Iglesias (Camagüey, 1984) is a prize-winning Cuban poet, fiction writer, and playwright. She has published widely, including the poetry books Mi pareja calva y yo vamos a tener un hijo (Ediciones Liliputienses, 2019), Miami Century Fox (Akashic Books, 2017), and Transtucé (Editorial Casa Vacía, 2017); the short story collections La mujer que compró - [Amalia Moreno Restrepo](https://theverseverse.com/poets/amalia-moreno-restrepo) - Poet and plastic artist. In 2020 her second book “Tal vez hoy sobre mañana”, wins the international poetry award “Arcipreste de Hita” in Spain and is published by Editorial Pre-textos. In 2015 Amalia releases her first book, “Los 16 Motivos del Lobo”, a long and violent poem published by Editorial Cardumen and illustrated by Santiago - [Roy Voragen](https://theverseverse.com/poets/roy-voragen) - Roy Voragen studied philosophy and political theory at the University of Amsterdam. He is a curator at Greylight Projects, he is a research supervisor at Willem de Kooning Academy, and he is a freelance art writer. He lived and worked in Southeast Asia from 2003 to 2019. He taught philosophy at universities in Indonesia, where - [Herbert W. Franke](https://theverseverse.com/poets/herbert-w-franke) - Herbert W. Franke (1927-2022) was a pivotal figure in bridging the gap between art and science. He was a scientist, author of science fiction, curator, mathematician, physicist, and speleologist. He was a co-founder of Ars Electronica in 1979. Franke has been called "the most prominent German science fiction writer" by Die Zeit, and a "great - [Tina Chang](https://theverseverse.com/poets/tina-chang) - Tina Chang is an American poet, educator, and editor. In 2010, she was the first woman to be named Poet Laureate of Brooklyn and she served in this role for over a decade. A graduate of Columbia University’s MFA program, she is the author of three critically acclaimed collections: Hybrida (W. W. Norton, May 2019), - [Victoria Chang](https://theverseverse.com/poets/victoria-chang) - Victoria Chang’s forthcoming book of poems, With My Back to the World will be published in 2024 by Farrar, Straus & Giroux and Corsair Books in the U.K. Her most recent book of poetry, The Trees Witness Everything was published by Copper Canyon Press and Corsair Books in the U.K. in 2022, and was named - [Vera Molnar](https://theverseverse.com/poets/vera-molnar) - Vera Molnar is born in Budapest in 1924. She lives and works in Paris since 1947. She re- fuses to exhibit her “research work” until 1979 with the exception of the “Konkrete Kunst” exhibition in Zurich organized by his friend Max Bill in 1960. She is selected by Cecilia Alemani for the 59th Venice Biennale - [Robbie Barrat](https://theverseverse.com/poets/robbie-barrat) - Born in Dublin in 1999, Robbie grew up in West Virginia. After graduating high school, he worked at NVIDIA, then as a researcher in a bioinformatics lab at Stanford university, before moving to Europe to attend art school and work as an artist full time. Barrat explores a variety of domains through machine learning and - [Nick Montfort](https://theverseverse.com/poets/nick-montfort) - Nick Montfort is a poet and artist who uses computation. His computer-generated books include #! (pronounced “Shebang”) and Golem. His digital projects include the collaborations The Deletionist and Sea and Spar Between. Montfort also studies creative computing. MIT Press has published The New Media Reader (which he co-edited) and his Twisty Little Passages, The Future, - [Mark Amerika](https://theverseverse.com/poets/mark-amerika) - Mark Amerika has exhibited his art in many venues including the Whitney Biennial, the Denver Art Museum, the Institute of Contemporary Arts in London, ZKM, the Walker Art Center, and the American Museum of the Moving Image. Amerika has had five early and/or mid-career retrospectives including the first two Internet art retrospectives ever produced (Tokyo - [Joe Devlin](https://theverseverse.com/poets/joe-devlin) - Joe Devlin is an artist living and working in Manchester and Leeds. His most recent exhibitions include the solo show ‘Gatefolds’ held at Studio 2, Todmorden, 2019 and the group show Bibliotech "the future of the library" held at Exhibition Research Lab, Liverpool and NeMe, Cyprus, 2022. His work has appeared in Cabinet Magazine, Frozen - [Emily Edelman](https://theverseverse.com/poets/emily-edelman) - Emily Edelman is an artist, designer, and curator in New York City. Working primarily in generative art, Emily’s algorithms explore text, typography, communication, scale, and color theory. With a background in events, Emily also designs physical spaces and experiences. Emily’s work has been shown internationally with Art Blocks, Verse Works, Artsy, and VellumLA. She is - [Drew Mailen](https://theverseverse.com/poets/drew-mailen) - Drew Mailen has been involved in the crypto space as a writer for almost 6 years. Working as an independent journalist and author, he has collaborated with projects such as NFL Rivals, OKX, and NFT NYC. As an aspiring poet, Drew has participated in Open Mics since he was in high school in the Philadelphia - [Diana Lobo](https://theverseverse.com/poets/diana-lobo) - Diana Lobo (1984, born and based in Rio de Janeiro, Brazil) is an artist and poet with a passion for exploring the interplay between language and visual art. Her work often incorporates poem-objects and other techniques to create a physicality that elevates the written word beyond its traditional constraints. Diana's artistic curiosity extends to the - [Bernar Venet](https://theverseverse.com/poets/bernar-venet) - Born in 1941 in the south of France, Venet’s attraction to art became evident at an early age. He discovered the work of historical artists through art books that his mother bought him. At 17, Venet moved to Nice to work as a theatre set designer at the Opéra de Nice before dedicating his entire - [Alison Knowles](https://theverseverse.com/poets/alison-knowles) - Alison Knowles, b. 1933, based in New York City, holds a BFA from Middlebury College, an MFA from Pratt Institute and honorary doctorates from, Pratt Institute, Columbia College & Maine College of Art. An innovator of the architectural form she terms the Transvironment, Knowles was awarded a Guggenheim Fellowship in 1967 for her long format - [CEGZ.project](https://theverseverse.com/poets/cegz-project) - CEGZ.project is a duo of artists, composed of Emmanuel Guez and Caroline Zahnd. According to Chat-GPT4, "Emmanuel Guez and Caroline Zahnd are a talented and visionary artist duo whose work expands the horizons of contemporary art. Their collaboration began when they met in art school, where they discovered their shared passion for experimentation and artistic - [Agnès Thurnauer](https://theverseverse.com/poets/agnes-thurnauer) - Agnès Thurnauer (b. 1962) is a French-Swiss artist. She lives in Paris and works in Ivry-sur-Seine (Val-de-Marne). Through her paintings, sculptures and installations, Agnès Thurnauer deals with the question of language. In her pictorial practice, writing is often integrated into the painting, and even when it is not, the allusive force that emerges from the - [Adam Disbrow](https://theverseverse.com/poets/adam-disbrow) - Adam Disbrow or AD_AD is a US based Expressionist Artist. His debut exhibition took place in July 2014 at Alexander Salazar Fine Art in San Diego, California. In 2014 he co-founded SPAC, an artist cooperative south of Washington, D.C. Since then his paintings have been shown internationally and his work has been acquired by collectors - [Astra Papachristodoulou](https://theverseverse.com/poets/astra-papachristodoulou) - Astra Papachristodoulou is a PhD researcher and tutor at the University of Surrey with focus on sculptural poetics in the Anthropocene. Her debut poetry collection Constellations was published in 2022 with Guillemot Press. Astra has been exhibited in a range of venues in the UK and internationally, including The National Poetry Library and Christie’s. - [Franny Choi](https://theverseverse.com/poets/franny-choi) - Franny Choi is a queer Korean American writer. She is the author of three poetry collections: The World Keeps Ending, and the World Goes On (Ecco/HarperCollins, 2022), Soft Science (Alice James Books, 2019) and Floating, Brilliant, Gone (Write Bloody Publishing, 2014). She is a Lilly/Rosenberg Fellow, a recipient of Princeton’s Holmes National Poetry Prize, and - [Kate Armstrong](https://theverseverse.com/poets/kate-armstrong) - Kate Armstrong is a writer, artist, and curator whose work focuses on art and technology. Armstrong is a pioneer in generative art and literature: her interdisciplinary practice is conceptually driven and has included participatory work, objects, photography, video, events in urban space, generative text systems, and experimental narrative forms. Her exhibitions include the Contemporary Art - [Silvina López Medin](https://theverseverse.com/poets/silvina-lopez-medin) - Silvina López Medin was born in Buenos Aires and lives in Croton on Hudson, New York. Her books of poetry include La noche de los bueyes (Loewe Foundation International Young Poetry Prize), 62 brazadas (City of Buenos Aires Poetry Prize), and That Salt on the Tongue to Say Mangrove (tr. Jasmine V. Bailey, Carnegie Mellon - [Mia Leonin](https://theverseverse.com/poets/mia-leonin) - Mia Leonin is the author of four poetry collections: Fable of the Pack-Saddle Child (BkMk Press), Braid, Unraveling the Bed, and Chance Born (Anhinga Press), and a memoir, Havana and Other Missing Fathers (University of Arizona Press). In 2022, the Miami-Dade County Department of Cultural Affairs awarded Leonin an individual artist’s stipend. Leonin has also - [Fermina Ponce](https://theverseverse.com/poets/fermina-ponce) - Social Communicator and journalist, Master in organizational communication management from University of La Sabana, Colombia. Master in Creative Writing from University of Salamanca, Spain. ILBA (International Latino Book Award) recipient for her poetry books Al desnudo (2018) y Mar de (L)una (2019) and Se llamará Piedra (2022). Her poetry talks about universal topics such as - [Caridad Moro-Gronlier](https://theverseverse.com/poets/caridad-moro-gronlier) - Caridad Moro-Gronlier is the author of Tortillera (TRP 2021), winner of The TRP Southern Poetry Breakthrough Series: Florida, The 2022 Eric Hoffer Book Award Honorable Mention, 2022 Eric Hoffer Award Grand Prize Short List and the 2022 International Latino Book Award Honorable Mention, as well as the chapbook Visionware (Finishing Line Press 2009). She is - [Alexandra Lytton Regalado](https://theverseverse.com/poets/alexandra-lytton-regalado) - Alexandra Lytton Regalado is the author of Relinquenda, winner of the National Poetry Series (Beacon Press, 2022); the chapbook Piedra (La Chifurnia, 2022); and the poetry collection, Matria, winner of the St. Lawrence Book Award (Black Lawrence Press, 2017). She is the translator of Family or Oblivion / La familia o el olvido by Elena - [P. Scott Cunningham](https://theverseverse.com/poets/p-scott-cunningham-2) - Scott Cunningham is the author of Ya Te Veo (University of Arkansas, 2018). His poems, essays, and translations have appeared or are forthcoming in The Nation, American Poetry Review, Gulf Coast, POETRY, A Public Space, Harvard Review, Monocle, and The Guardian, among others. He lives in Miami, FL, where serves as the Executive Director of - [Lillian-Yvonne Bertram](https://theverseverse.com/poets/lillian-yvonne-bertram) - Lillian-Yvonne Bertram is an African American writer, poet, artist, and educator who works at the intersection of computation, AI, race, and gender. They are the author of Travesty Generator (Noemi Press), a book of computational poetry that received the Poetry Society of America’s 2020 Anna Rabinowitz prize for interdisciplinary work and longlisted for the 2020 - [John James](https://theverseverse.com/poets/john-james) - John James is the author of The Milk Hours (Milkweed, 2019), selected by Henri Cole for the Max Ritvo Poetry Prize. His poems appear in Boston Review, Kenyon Review, Gulf Coast, Best American Poetry, PEN Poetry Series, and elsewhere, and his work has been supported by fellowships and awards from the Bread Loaf Environmental Writers - [Seth Bockley](https://theverseverse.com/poets/seth-bockley) - Seth Bockley is a writer of plays, poems, stories and screenplays, and a theater artist specializing in literary adaptation (two stories by George Saunders, the novel '2666' by Roberto Bolaño, and a current project adapting The Epic of Gilgamesh). His story “Repertorio" won a debut fiction prize for Boulevard magazine and was nominated for a - [Yolanda Segura](https://theverseverse.com/poets/yolanda-segura-2) - Yolanda Segura (Querétaro, 1989) is a lesbian-queer transfeminist writer. She has published four books of poetry, among them “serie de circunstancias posibles en torno a una mujer mexicana de clase trabajadora “(Almadía 2021) “per/so/na” (Almadía, 2019) and “estancias que por ahora tienen luz y se abren hacia el paisaje” (Palíndroma, 2021). She won the Premio - [Mana Muscarsel Isla](https://theverseverse.com/poets/mana-muscarsel-isla) - Mana Muscarsel Isla is a transindisciplinary artist, writer, musician and activist. Born in Argentinian Patagonia in 1987, she migrated to Buenos Aires in 2006 and pursued a degree in psychology and specialized in Gender and Sexualities. Her artistics projects revolve around, surround or cross the lesbian existence, addressing and understanding its limitations and tensions, exploring - [Madari Pendás](https://theverseverse.com/poets/madari-pendas) - Madari Pendás is a Cuban-American writer, translator, and painter. She is the author of Crossing the Hyphen (Tolsun 2022). Her work has appeared in CRAFT, PANK, The Master's Review, and more. Pendás has received awards from the Academy of American Poets, Florida International University, and two Pushcart nominations. - [Katherine Bisquet](https://theverseverse.com/poets/katherine-bisquet) - Katherine Bisquet (Ciudad Nuclear, Cuba, 1992) graduated in Spanish Language from University of Havana. She has published the following poetry books, Algo aquí se descompone (Colección Sur Editores, Havana, 2014), Nuclear City mon amour (Ediciones Sinsentido, Havana, 2020) and Uranio empobrecido (Rialta Ediciones, Querétaro, México, 2021). Organizer and curator of the #00 Biennial 2018 of - [David Hernandez](https://theverseverse.com/poets/david-hernandez) - David Hernandez's most recent collection of poems is "Hello I Must Be Going." His other books include "Dear, Sincerely," "Hoodwinked," winner of the Kathryn A. Morton Prize in Poetry, and "Always Danger," winner of the Crab Orchard Series. David has been awarded an NEA Fellowship and two Pushcart Prizes. His poems have appeared in Kenyon - [NelsonX](https://theverseverse.com/poets/nelsonx-2) - Nelson is an artist, writer, and Cooper Union Alum. "I Love Ice Cream. Ice Cream New York. From the ashes of an ice cream company rose an art gallery, from the art gallery we soared as artists. This is a collection inspired by past events transcribed by the present and inciting the future." - [Marcos de la Fuente](https://theverseverse.com/poets/marcos-de-la-fuente) - New York based poet and 3.0 performer Marcos de la Fuente is the head of POETRY+IA=ART, a collective which investigates the relationship between poetry and new technologies, and how the world of art is going to Metaverse, Blockchain and VR. AI engineer Ismael Faro, code programmer Mariel Martinez and visual artist Vanesa Álvarez are the - [Ana Maria Caballero](https://theverseverse.com/poets/ana-maria-caballero-3) - Ana Maria Caballero is a first-generation Colombian-American poet and artist. Her work explores how biology delimits societal and cultural rites. She’s the recipient of the Beverly International Prize, Colombia’s José Manuel Arango National Poetry Prize, and a Sevens Foundation Grant. Her work has been exhibited internationally and is part of GAZELLiO, where she’s been an - [Peter Mishler](https://theverseverse.com/poets/peter-mishler) - Peter Mishler’s debut collection of poems is Fludde, winner of the Kathryn A. Morton Prize in Poetry from Sarabande Books. Also the author of a book of reflections on public school teaching from Andrews McMeel/Simon and Schuster, he is currently finishing his second collection of poems. - [Ross Goodwin](https://theverseverse.com/poets/ross-goodwin) - Ross Goodwin is an artist, creative technologist, hacker, data scientist, and former White House ghostwriter. He employs machine learning, natural language processing, and other computational tools to realize new forms and interfaces for written language. From word.camera, a camera that expressively narrates its photographs in real time using artificial neural networks, to SUNSPRING (with Oscar - [VERSA](https://theverseverse.com/poets/versa) - [Campbell McGrath](https://theverseverse.com/poets/campbell-mcgrath) - Campbell McGrath is the author of eleven books of poetry, including Spring Comes to Chicago, Seven Notebooks, XX: Poems for the Twentieth Century, a Finalist for the 2017 Pulitzer Prize, and most recently Nouns & Verbs: New and Selected Poems (Ecco Press, 2019). He has received numerous literary prizes for his work, including the Kingsley - [Marci Calabretta Cancio-Bello](https://theverseverse.com/poets/marci-calabretta-cancio-bello) - Marci Calabretta Cancio-Bello is the author of Hour of the Ox (Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She and E.J. Koh co-translated Yi Won’s The World’s Lightest Motorcycle (Zephyr Press, 2021). Cancio-Bello has received fellowships from the National Endowment for the Arts, Kundiman, the Knight Foundation, and the American Literary Translators - [Diigant](https://theverseverse.com/poets/diigant) - [Sasha Stiles](https://theverseverse.com/poets/sasha-stiles-3) - Sasha Stiles is a first-generation Kalmyk-American poet, artist and AI researcher probing the intersection of text and technology. A pioneer of generative literature and blockchain poetics, she is the recipient of a Future Art Award and a nominee for the Forward Prize, Pushcart Prize and Best of the Net, and Poetry Mentor to the humanoid - [Kalen Iwamoto](https://theverseverse.com/poets/kalen-iwamoto-4) - Kalen Iwamoto is a conceptual crypto writer and artist exploring the intersection of art and language on the blockchain. Her work takes blockchain technology and crypto culture as its point of departure, and focuses on playfulness, exploration, and experimentation to push the boundaries of the NFT medium and of conceptual writing and art. @kaleniwamoto www.kalen-iwamoto.com - [Kevin Abosch](https://theverseverse.com/poets/kevin-abosch) - Kevin Abosch is a conceptual artist and crypto-art pioneer whose work addresses the nature of identity and value by posing ontological questions and responding to sociologic dilemmas. Abosch's work has been exhibited throughout the world, often in civic spaces, including The State Hermitage Museum, St Petersburg, The National Museum of China, The National Gallery of - [Nicole Tallman](https://theverseverse.com/poets/nicole-tallman) - Nicole Tallman is the Poetry Ambassador for Miami-Dade County, Associate Editor for South Florida Poetry Journal, and Interviews Editor for The Blue Mountain Review. She is the author of Something Kindred and her next book is forthcoming from Really Serious Literature. @natallman www.nicoletallman.com - [Nathaniel Stern](https://theverseverse.com/poets/nathaniel-stern) - Nathaniel Stern an awkward artist, writer, and teacher who likes awkward art, writing, and students. He is a Fulbright, NSF, and NEA grant recipient, a Professor of Art, Engineering, and Entrepreneurship at the University of Wisconsin-Milwaukee, and an Associate Researcher at the University of Johannesburg. His art ranges from ecological, participatory, and online interventions, interactive, immersive, - [Johnny Dean Mann](https://theverseverse.com/poets/jonathan-mann) - Johnny Dean Mann (AKA Wily Guys) is a creative writer and digital sculptor/painter from the UK investigating the tension between looseness and exactitude as a parallel to quantum computing. He writes prose poems on technology, the English countryside and other topics. @GuysWily - [Vanessa Coleman](https://theverseverse.com/poets/vanessa-coleman) - [Denise Duhamel](https://theverseverse.com/poets/denise-duhamel) - Denise Duhamel’s most recent book of poetry is Second Story (Pittsburgh, 2021). Her other titles include Scald; Blowout; Ka-Ching!; Two and Two; Queen for a Day: Selected and New Poems; The Star-Spangled Banner; and Kinky.She and Maureen Seaton have co-authored four collections, the most recent of which is CAPRICE (Collaborations: Collected, Uncollected, and New) (Sibling Rivalry Press, 2015). And she and Julie Marie Wade co-authored The Unrhymables: - [Christian Bök](https://theverseverse.com/poets/christian-bok) - Christian Bök is the author of Eunoia (2001), a bestselling work of experimental literature, which has gone on to win the Griffin Prize for Poetic Excellence. Bök is currently working on The Xenotext — a project that requires him to encipher a poem into the genome of a bacterium capable of surviving in any inhospitable - [Sarah Ridgley](https://theverseverse.com/poets/sarah-ridgley) - Sarah Ridgley is a generative artist and poet working with computer code. Her work focuses on exploring the space between the hand-drawn and the computer-drawn, and on blurring those boundaries. She uses Processing (p5js) and JavaScript to build her programs, and designs her own algorithmic brushes to complete each piece. Everything she does is the - [Pierre Gervois](https://theverseverse.com/poets/pierre-gervois) - Pierre Gervois is a French immigrant to the United States. He is a crypto artist using language to describe our society without judgement, emotion, empathy or stated point of view. The elements of language appearing in his works are physically embedded in geometric figures of undefined scale, and lose their meaning should they be considered - [Merchant Coppola](https://theverseverse.com/poets/merchant-coppola) - Merchant Coppola is based in nuremberg, germany. His concrete poems explore words, symbols, and their (non)meaning. He is fascinated with literature and short text formats, such as kitschy pop songs, advertisement, dada, toxic motivational quotes, useful nonsense, found texts, and errors. Merchant Coppola graduated from Nuremberg Institute of Technology with degrees in animation and creative - [Julie Marie Wade](https://theverseverse.com/poets/julie-marie-wade) - Julie Marie Wade is the author of Wishbone: A Memoir in Fractures (Bywater Books, 2014; Colgate University Press, 2010), winner of the Colgate University Press Nonfiction Book Award and the Lambda Literary Award in Lesbian Memoir; Without: Poems (Finishing Line Press, 2010), selected for the New Women’s Voices Chapbook Series; Small Fires: Essays(Sarabande Books, 2011), selected for the Linda Bruckheimer Series in - [aurèce vettier](https://theverseverse.com/poets/aurece-vettier) - aurèce vettier is a French art collective founded by Paul Mouginot in 2019, aimed at understanding how relevant and meaningful interactions with machines and algorithms can be achieved, in order to push the boundaries of creative processes. The works of aurèce vettier are the result of a number of back and forth trips between the ## Categories - [Uncategorized](https://theverseverse.com/category/uncategorized) - [blog](https://theverseverse.com/category/blog) - [conVERSEverse](https://theverseverse.com/category/blog/converseverse) - [events](https://theverseverse.com/category/events) - [community](https://theverseverse.com/category/community) - [poets](https://theverseverse.com/category/poets) ## Tags - [conVERSEverse](https://theverseverse.com/tag/converseverse) - [Denise Duhamel](https://theverseverse.com/tag/denise-duhamel) - [poet](https://theverseverse.com/tag/poet) - [blog](https://theverseverse.com/tag/blog) - [community](https://theverseverse.com/tag/community) - [Johnny Dean Mann](https://theverseverse.com/tag/johnny-dean-mann) - [Christian Bök](https://theverseverse.com/tag/christian-bok) ## poet - [Ana Maria Caballero](https://theverseverse.com/poet/ana-maria-caballero) - [Sasha Stiles](https://theverseverse.com/poet/sasha-stiles) - [Kalen Iwamoto](https://theverseverse.com/poet/kalen-iwamoto) - [Julie Marie Wade](https://theverseverse.com/poet/julie-marie-wade) - [aurèce vettier](https://theverseverse.com/poet/aurece-vettier) - [Gisel Florez](https://theverseverse.com/poet/gisel-florez) - [Pierre Gervois](https://theverseverse.com/poet/pierre-gervois) - [Merchant Coppola](https://theverseverse.com/poet/merchant-coppola) - [Denise Duhamel](https://theverseverse.com/poet/denise-duhamel) - [Christian Bök](https://theverseverse.com/poet/christian-bok) - [Vanessa Coleman](https://theverseverse.com/poet/vanessa-coleman) - [Sarah Rigdley](https://theverseverse.com/poet/sarah-rigdley) - [Jonathan Mann](https://theverseverse.com/poet/jonathan-mann) - [Nathaniel Stern](https://theverseverse.com/poet/nathaniel-stern) - [Kevin Abosch](https://theverseverse.com/poet/kevin-abosch) - [Nicole Tallman](https://theverseverse.com/poet/nicole-tallman) - [David Hernandez](https://theverseverse.com/poet/david-hernandez) - [Marcos de la Fuente](https://theverseverse.com/poet/marcos-de-la-fuente) - [Diigant](https://theverseverse.com/poet/diigant) - [Campbell McGrath](https://theverseverse.com/poet/campbell-mcgrath) - [Marci Calabretta Cancio-Bello](https://theverseverse.com/poet/marci-calabretta-cancio-bello) - [Ross Goodwin](https://theverseverse.com/poet/ross-goodwin) - [Peter Mishler](https://theverseverse.com/poet/peter-mishler) - [NelsonX](https://theverseverse.com/poet/nelsonx) - [Yolanda Segura](https://theverseverse.com/poet/yolanda-segura) - [Patricia Echeverria Liras](https://theverseverse.com/poet/patricia-echeverria-liras) - [Legna Rodríguez Iglesias](https://theverseverse.com/poet/legna-rodriguez-iglesias) - [Katherine Bisquet](https://theverseverse.com/poet/katherine-bisquet) - [Amalia Moreno Restrepo](https://theverseverse.com/poet/amalia-moreno-restrepo) - [Mana Muscarsel Isla](https://theverseverse.com/poet/mana-muscarsel-isla) - [Andrea Halaby](https://theverseverse.com/poet/andrea-halaby) - [Martica Minipunto](https://theverseverse.com/poet/martica-minipunto) - [Madari Pendás](https://theverseverse.com/poet/madari-pendas) - [Seth Bockley](https://theverseverse.com/poet/seth-bockley) - [John James](https://theverseverse.com/poet/john-james) - [Lillian-Yvonne Bertram](https://theverseverse.com/poet/lillian-yvonne-bertram) - [Victoria Chang](https://theverseverse.com/poet/victoria-chang) - [P. Scott Cunningham](https://theverseverse.com/poet/p-scott-cunningham) - [Alexandra Lytton Regalado](https://theverseverse.com/poet/alexandra-lytton-regalado) - [Mia Leonin](https://theverseverse.com/poet/mia-leonin) - [Silvina López Medin](https://theverseverse.com/poet/silvina-lopez-medin) - [Roy Voragen](https://theverseverse.com/poet/roy-voragen) - [Ronnie Angel Pope](https://theverseverse.com/poet/ronnie-angel-pope) - [Kate Armstrong](https://theverseverse.com/poet/kate-armstrong) - [Franny Choi](https://theverseverse.com/poet/franny-choi) - [Astra Papachristodoulou](https://theverseverse.com/poet/astra-papachristodoulou) - [Agnès Thurnauer](https://theverseverse.com/poet/agnes-thurnauer) - [Adam Disbrow](https://theverseverse.com/poet/adam-disbrow) - [CEGZ.project](https://theverseverse.com/poet/cegz-project) - [Bernar Venet](https://theverseverse.com/poet/bernar-venet) - [Diana Lobo](https://theverseverse.com/poet/diana-lobo) - [Drew Mailen](https://theverseverse.com/poet/drew-mailen) - [Emily Edelman](https://theverseverse.com/poet/emily-edelman) - [Joe Devlin](https://theverseverse.com/poet/joe-devlin) - [Laura Kerr](https://theverseverse.com/poet/laura-kerr) - [Mark Amerika](https://theverseverse.com/poet/mark-amerika) - [Nick Montfort](https://theverseverse.com/poet/nick-montfort) - [Tina Chang](https://theverseverse.com/poet/tina-chang) - [Herbert W. Franke](https://theverseverse.com/poet/herbert-w-franke) - [Robbie Barrat](https://theverseverse.com/poet/robbie-barrat) - [Vera Molnar](https://theverseverse.com/poet/vera-molnar) - [Allen Ginsberg](https://theverseverse.com/poet/allen-ginsberg) - [Laurence Fuller](https://theverseverse.com/poet/laurence-fuller) ## collections - [Technelegy](https://theverseverse.com/collection/technelegy) - [blank](https://theverseverse.com/collection/blank) - [we are the trees](https://theverseverse.com/collection/we-are-the-trees) - [Income](https://theverseverse.com/collection/income) - [Hashtagraphy](https://theverseverse.com/collection/hashtagraphy) - Hashtagraphy is a diptych of patchwork poems culled from Twitter using the ETH and XTZ hashtags, and minted on their respective blockchains. Text by Kalen Iwamoto. Visuals and music by Julien Silvano. ## books - [Sasha Stiles](https://theverseverse.com/books/sasha-stiles) - [Christian Bök](https://theverseverse.com/books/christian-bok) - [Vanessa Coleman](https://theverseverse.com/books/vanessa-coleman) - [Nathaniel Stern](https://theverseverse.com/books/nathaniel-stern) - [Nicole Tallman](https://theverseverse.com/books/nicole-tallman) - [David Hernandez](https://theverseverse.com/books/david-hernandez) - [Kevin Abosch](https://theverseverse.com/books/kevin-abosch) - [Kalen Iwamoto](https://theverseverse.com/books/kalen-iwamoto) ## Labels - [featured](https://theverseverse.com/featured/featured) - [collected](https://theverseverse.com/featured/collected) ## issues - [Flower-Colored Light](https://theverseverse.com/issue/flower-colored-light) - [City Life](https://theverseverse.com/issue/city-life) - [Seeds and Ashes](https://theverseverse.com/issue/seeds-and-ashes) - [Fifty Days at Iliam](https://theverseverse.com/issue/fifty-days-at-iliam) - [Future Mythologies](https://theverseverse.com/issue/future-mythologies) ## Status - [current issue](https://theverseverse.com/current_issue/current-issue) - [current VERSA issue](https://theverseverse.com/current_issue/current-versa-issue) ## versa issues - [versa issue test 01](https://theverseverse.com/versa_issue/versa-issue-test-01) ## versas - [Versa](https://theverseverse.com/versa/versa) ## Poems categories - [collected](https://theverseverse.com/poems_category/collected) - [featured](https://theverseverse.com/poems_category/featured) - [featured-collection](https://theverseverse.com/poems_category/featured-collection) - [GenText](https://theverseverse.com/poems_category/gentext) - [Poesía de Protesta](https://theverseverse.com/poems_category/featured-collection/poesia-de-protesta) - [VERSA](https://theverseverse.com/poems_category/versa) ## Poems tags - [featured-collection](https://theverseverse.com/poems_tag/featured-collection)